Animal Folkore: The Goose

For this edition of the animal folklore series, I am going to focus on a very divisive member of the animal kingdom, the goose. The goose has picked up a bit of a bad rep, especially online, as being an extremely aggressive and cantankerous creature. People have even gone so far as to label them as “Cobra Chickens”. Now, I have no doubt that some breeds, such as the Canadian goose that the term originates from, may in fact be more aggressive, but it is a shame that all of them are tarred with the same brush. Having spent the last 3 years visiting a local colony of Greylag geese (with a couple of Emden Geese thrown in) and befriending them, I can at least testify that the more domestic breeds are unfairly labelled in the same way. Given the fact they are some of my favourite birds, it is surprising that I have left it this long to write a piece on them, especially considering how they pop up in Irish myth, poetry and folklore.

Weather Divination

In older texts, we are told that bird flight was observed carefully as a form of divination, as were the voices of birds. The ancient text of Cormac’s Glossary (Seanas Cormaic) tells us that the early arrival of Brent Geese (Cadhan) meant that storms and high winds were to follow.  We see these beliefs repeated, to a degree, in more modern practice where birds would be observed for weather divination. The behaviour of geese was watched carefully in Donegal for instance and should a fisherman see a goose stick its neck in the air and beat its wings on its chest, it is very likely that he would not take to the sea in fear of high winds. In Mayo, the height they flew at was indicative of how the weather would play out: High flying = good weather, low flying = Rain.

Placenames

The Irish language (Gaeilge/Gaolainn) placenames in certain areas are related to geese such as:

  • Gort na gCadhan (Field of Brent Geese): Galway, Roscommon
  • Inis Gé (Goose Island): Mayo

Talking Geese?

An interesting belief in west Cork claims that geese are capable of speech, and not only that but are said to speak to each other in Irish no less! The conversation between them involves a young goose asking an older goose about food, with the latter replying “It is certain that if you don’t Whisht here, that they will grab us and wring our necks” (Bíodh geall mara n-Éiste tú anso, go mbéarfear orainn is go gcasfar na sgrogaill orainn)

Cures

The NFC (National Folklore Collection) has many cures listed among its pages and some are more grounded than others. For those who are unfamiliar, the NFC is one of the largest folklore archives in the world and is one of the greatest sources we have on genuine Irish folklore and traditions. Luckily it is all digitised online at dúchas.ie and is well worth browsing. Be warned though, you are likely to fall down a rabbithole or two and will lose hours of your life.

Returning to geese, they pop up a number of times in relation to cures. Outside of using goose grease as an ointment for arthritis, these tend to fall into the category of extremely unusual to the point of wondering where the logic to it is. To enact one of these cures, the bill of the goose is placed into the mouth of the sick person or child, with the breath of the goose said to provide the cure. In some instances, the goose has to be specifically a fasting gander and is used for curing oral thrush.

The Barnacle Goose (Gé Ghiúrainn)

Some may find it ludicrous but there was a long-standing and pervasive belief in Ireland that the barnacle goose was in fact a form of shellfish that grew on old pieces of timber, hence the ‘barnacle’ in the name. The fact that they closely resemble a type of shellfish called the goose barnacle in terms of colour, and the fact that they don’t nest here has likely given rise to this belief. Classing them as fish allowed religious men to eat them during lent or when meat was forbidden from being eaten (such as on Fridays)

The Cambro-Norman chronicler known as Gerald of Wales wrote the following in his book ‘Topigraphica Hibernica’:

‘They [the barnacle goose] are produced from timber tossed along the sea and are at first like gum. Afterwards they hang down by their beaks as if they were seaweed attached to the timber and are surrounded by shells in order to grow more freely. Having thus in the process of time being clothed with a strong coat of feathers, they either fall into water or fly freely away into the air. They derive their food and growth from the sap of the wood or from the sea by a secret and most wonderful process of alimentation. I have frequently seen with my own eyes more than a thousand of these birds down on the seashore from one piece of timber and enclosed in their shells and already formed. They do not breed and lay eggs like other birds, nor do they ever hatch any eggs, nor do they seem to build nests in any corner of the earth. Hence bishops and religious men in some parts of Ireland do not scruple to dine off birds at the time of fasting because they are not flesh nor born of flesh”

Geese as lost souls

Pádraig Breatnach recorded a story in Galway about a hunter who was unable to shoot a bunch of wild geese one night because a wild hare kept getting in the firing line. He recounted this event to his priest who warned him that he should hunt only during the day and to leave the night to the spirit world. The reason he advised this was because he claimed that the geese were in fact lost souls who died unable to return to their homeland and who were taking the form of geese to do so. He mentions that the hare was a good soul helping them to achieve this goal and warned that if the hunter was successful in killing the geese, the souls would never succeed in returning.

Riddle me this

Ní fhuil is ní feoil is ní cnámh é                                                    

Ach is as fuil agus feoil a d’fhás é                     

Bain an ceann de agus gléas deoch dó            

Agus beidh sé ag scéalaíocht go maidin dhuit

It’s not blood or flesh or bone                        

But it grows out of flesh and blood                 

Take the head off it and give it a drink            

And it will tell stories until morning                      

ANSWER: A goose feather used as a quill

A fairy goose

An interesting story that I found when perusing the National Folklore Schools Collection relates to a goose gifted by a fairy and the resulting abundance that comes with it.

A poor woman is at home during a very bad storm, worried that her house will be blown down. A member of the ‘other crowd’ [a fairy] appears at the door and offers her a goose, asking her to mind it. Every day she has the goose, her wealth and status increase to the point she was able to keep a number of maids. There was a problem though. Every time the goose laid an egg, she got louder and louder. At some point the woman couldn’t take any more, so she started throwing anything she could get at the goose. As the goose ran around the house screaming, the fairy appeared at the door, admonished the woman and took the goose back. Within a few moments, all the windows were blown in and she was suddenly left with nothing again.

This is one of many tales where people fall foul of the other crowd for not appreciating gifts that have been given.

Fled Dún na nGéd (The Feast of the Fort of the Geese)

A number of tales and poems mention geese, but one tale features them as a central aspect. A middle Irish text, dated to the 11th to mid-12th century, called the “Feast of the Fort of the Geese” features goose eggs as a very important feature of the tale. This text, by modern classifications is placed in the ‘Cycle of the Kings’, a series of texts usually based around real historic personages, as opposed to say, the more mythical focus of tales featured in the ‘mythological cycle’.

The story relates to the revolt of Congal Claén (king of the Ulaid) against his foster father, Domhnall mac Áeda (over king of the Uí Néill) and ends with a brief account of the battle of Mag Ráth (which took place in 637) in which Congal was ultimately defeated.

Domhnall’s Fort on the banks of the river Boyne, called Dún na nGéd (The Fort of the Geese), provides the scene for the tale. The Fort itself was said to be modeled on the Fort at Tara. Domhnall was given a prophecy that one of his foster sons would betray him, but due to his belief in the bond of fosterage, he refused to put the foster sons in fetters.

In preparation for the feast, Domhnall instructed his men to go in search of goose eggs for the feast. They searched high and low for eggs but couldn’t find any great number. That was until they came to the hermitage of Saint Erc. The Saint himself wasn’t home, as it was his practice to go up to his armpits in the river Boyne from morning till dusk praying. The soldiers asked the woman at the house for the baskets of eggs, but she explained that they belong to the Saint and that all he ate all day was 1 1/2 eggs and 2 sprigs of cress upon returning from his prayers. They refused to listen and took the eggs. Needless to say, the Saint wasn’t happy and cast a malediction (for the tradition of cursing in Ireland see here) on the feast.

At the banquet, Congal said he would inspect the banquet before everyone arrived and while doing so, ate one of the goose eggs (and Domhnall was made aware, as per the prophecy, that whoever ate it would be the one who would betray him). Domhnall attempted to have the curse reversed by getting 100 saints to bless the banquet but it didn’t work due to the fact Congal had eaten before everyone else.

During the feast, every king present was given a goose egg presented on a silver platter, except for Congal who was given a hen’s egg on a wooden plate. This slight, along with the fact that he should have been seated at the right of Domhnall instead of another king, caused Congal to declare publically that he would seek revenge, leading to the battle mentioned above.

Saint Kevin of Glendalough and the Goose

Saint Kevin is usually associated with Blackbirds, but there is a tale that recounts how Kevin came to a chieftain to request land for his monastery. The Chieftain laughed at the request and pointed to an injured goose with a broken wing. He told him he could have all the land that the goose could circle. No sooner were the words out of his mouth, the goose took to the air recovered and flew around the entire valley. Another version involves a sick and ailing pet goose that the saint offers to heal if he can claim all the land that the goose circles on his first flight. This story is very similar to the story of Saint Brigid, who is told that she can have all the land that her cloak can cover, only for her cloak to magically expand and cover a large swathe of land.


A few Pics of Geese for your enjoyment

Sources:

Fled Dún Na nGéd, A reapraisal by Máire Herbert

Dúchas.ie

Birds of Ireland: Facts, Folklore & History by Glynn Anderson

Irelands Birds by Niall Mac Coitir The History and Topography of Ireland by Gerald of Wales

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Cursing in Irish Folk Tradition





In a past article, I looked at some methods of folk healing in the Irish tradition. In this article, I would like to look at different types of curses (mallacht). In a few online discussions lately, I have noticed a few people who were shocked or incredulous that there was a tradition of cursing in Ireland and more so that people who had the power to heal, could also curse. In fact, it was widely believed that the two things were intrinsically connected and two sides of the same coin.

Evidence of Irish curses can be found in several sources including dictionaries, newspapers, visitor writings, diaries, religious tracts, law Tracts, Epic literature, hagiography, and the National Folklore Collection (Duchas.ie). The antiquarian William Carlton, when speaking about curses, says that there is a “certain style and ritual” needed to “ give them energy”. People would make a public display of casting these curses (such as a busy marketplace, for example) and they often “beat the floor and looked to the skies, put their hands together and besought god to blight their opponents”. The inclusion of god here is not unusual as cursing is often a “blend of lyrical and ritualistic spell casting” mixed with prayers to god, Mary or the saints. Some curses were cast from a height or a seashore and this is especially evident in the case of ship sinking witches (covered more in-depth here).
 
We look at a few different types below including the curses of Blacksmiths and Millers, beggars’ curses, widows’ curses, piseog’s, the Evil Eye, cursing stones, the curses of priests and saints and curses aimed towards landlords.


The curses of Blacksmiths and Millers

The connection of blacksmiths with the supernatural and with the use of magic is certainly not unique to Ireland. Their ability to turn raw materials into essential tools and weaponry afforded them special status within the community, and also created an air of mystery around them. The fact they worked with Iron, a universal deterrent of evil, bolstered this belief and imbued them with the ability to see or defeat evil. I covered this more in-depth in this article here. In keeping with the theme of the current article, their connection to cursing revolves around one of the main tools of their trade, the anvil. A method of cursing that was feared by the church when they composed the 8th-century lorica hymn protecting against the “spells of women, and smiths, and druids”. The words of this spell enacted by the blacksmiths were often kept purposefully hidden and obscure, but we do know that to cast it they had to turn the anvil tuathal (anti-clockwise) while uttering the proscribed incantation. Like many curses in Irish tradition, you ran the risk of having it rebound on you if it wasn’t warranted, but some sources seem to allude to there being a price to pay no matter what.

A folklore collector for the Irish Folklore Commission asked six blacksmiths if they had ever heard of this curse and all claimed to have heard about it but had “put the cross of Christ between them and all such things”. Some even claimed to have seen it being carried out when they were younger. One example from the National Folklore Collection states that “If you want something to befall your neighbor, go to a blacksmith (and) get him to point the horn of the anvil to the east and to pronounce the curse” (NFC, IML.80:283). Another gives an example of how an eviction was thwarted by using this curse. In this instance, however, the anvil is struck rather than rotated: “A bailiff trying to evict people on Easter Sunday. It recounts how a number of men went to the forge and knelt around the anvil to pray. Instead of uttering a curse they would periodically get up and strike the anvil. This ultimately prevented the landlord from evicting his tenants” (NFC, IML.80:283). We will see other examples of eviction-related curses later in this article.
Sources also tell us that the miller had a similar ability, but in place of the anvil, his millstone was used. NFSC, Vol 0119:507, tells us “the blacksmith shares this ability with the miller and that “he could do any enemy to death by turning the millstone on him”.

Distance away from the victim did not matter. The curse worked as successfully if he were at the other side of the world as if he were just by their side. Landlords often feature as the targets in folktales and accounts:
“A miller farmer was about to be evicted. He and his friends gathered together in the mill and at the “witching hour” of midnight they “turned the millstone” on the landlord….. The shouts of the landlord in his death agony were heard in the district of the mill and he was found dead under his own bed next morning. His skin was as all over [as black as] the raven’s wing. It was really believed he was done to death by the turning of the millstone.
But here we see that there are repercussions:
“It was noted that some misfortune happened to everyone who had any part in the affair. One lost an eye, another a leg, another his reason. It seemed to bring a blight on the whole of them”. NFSC:Volume 0119, Page 506
 
 
Piseógs

SO, moving on to ‘piseogs’. This is one of those terms in Irish that can have multiple meanings. People will quite often refer to things as just being “piseogs”, meaning they are simply superstition.

The Ó Dónaill an Ua Mhaoileoin dictionary give the definitions as:
·         Geis (A supernatural taboo or injunction)
·         Ortha (A Charm)
·         Creideamh i ndraíocht agus is gcúrsaí osnádúrtha (Beilief in magic or in supernatural activity)

Ó Dónaill gives:
·         Charm/Spell
·         Superstitious practices
·         Superstition
·         Ag déanamh piseog (casting a Spell)

The ‘casting’ of Piseogs often takes the form of burying either eggs, meat, animal intestines or even straw dolls in the field of the intended victim. As these materials rot away, the luck of the person being targeted goes with them, or more ominously in the case of the ‘dolls’, the health of the person may deteriorate. This can be expedited by the caster by pouring water on the spot to make it rot faster.


Women who Curse

It would appear that the curses of women were especially feared throughout Irish history. The inclusion in the hymn mentioned above illustrates this but we also know that satire at the hands of women in medieval Ireland was also greatly feared. Women would let their hair down when casting curses and it appears that beggar women also left their hair down (women’s hair usually kept up or covered), to give the impression that they were “half-cocked” so to speak, and ready to curse should they be refused. Interestingly, Bean Chaointe (Keening Women) also left their hair down, mimicking their supernatural counterpart, the Bean Sídhe.

Female Satirists

Female satirists were especially feared in medieval Ireland. Áer (satire) was typically the domain of the Filidh (professional poet, second only to the king in status) and satire itself could be used as a weapon and as such was regulated by law. Illegal or unjustified use of satire was frowned upon and could lead to loss of your honour price. The tale Longes mac nUislenn (The Exile of the Sons of Uisliu) shows us that the freedom of movement afforded to filidh and other members of the Áes Dána (people of skill) was extended even more to accommodate female satirists: “No person was ever allowed into that house except her foster father, her foster mother and Leborcham; for the last mentioned one could not be prevented, for she was a female satirist”. Now, the fear behind this lay in the belief that satire, if properly used could physically harm the target, bringing out boils and blisters on the face. These blisters were especially problematic if you happened to be a king, for a physical blemish would disqualify you from kingship. Satire was also referred to as “un-poetry” and the law text Bretha Nemed Tóiseach tells us: “You are not to wound cheeks with the spears of un-poetry”. Mis-use however could bring it back on you, just like we have seen with the curse of the blacksmith above.

Similar to the idea that anyone with the ability to heal also can curse, it was believed anyone capable of giving praise could also use satire. Poetry was divided into three categories find, dubh, brecc:

•       White (Find) by which one praises
•       Black (Dubh) by which one satirises
•       Speckled (Brecc) by which one gives notice

The ‘Speckled’ one mentioned was also known as trefocal, a mix of satire and praise that served the purpose of giving a warning of impending satire, giving you plenty of time to rethink your actions. Several terms were used for satirists: Cáinte, Rindile and Birach Bríathar (one who is sharp with words).
 
Widows who curse

Widows’ curses were also greatly feared. These curses were especially common during the land war (circa 1879) but we have numerous examples of people enacting these curses even as late as the 1960s:
Mary MacCormack from Castlerea, for example, put a widow’s curse on the people who told the police that she was holding unlicensed public dances. Another example tells of a curse that rebounded on a widow and she “died tortured with liver disease.
 
 
The ‘Fire of Stones’ Curse

This interesting curse was used by people when they were being evicted from their houses. The purpose of this was to affect the house luck of whoever else was going to move into the house after them. Before leaving the newly evicted ex-tenants would block up the hearth with stones and say ““until these fires burn, will newcomers do any good” This method of cursing was still used in Ulster in the 1940s and 1950s.
 

Beggars who Curse

In the not-so-distant past, it was not uncommon to meet droves of itinerant mendicants traveling the length and breadth of Ireland. Beggars (Bacach, Lucht súil) would also employ curses if spurned or refused alms (this was the common impetus for the so-called ‘Ship sinking witches’ casting their curses).


Priests and Saints who Curse

This one shocks most people. I have encountered numerous people online who were completely incredulous that priests would be seen using curses, but there are almost 1500 years of examples of this stretching back to our earliest hagiographies. Some saints, in particular, were very fond of pronouncing maledictions on people and regularly cursed unfit kings (usually leading to extremely violent deaths brought about by a self-fulfilling prophecy). Examples of this can be especially seen in stories that feature a three-fold death (burning, drowning, stabbing) of the king as a result of the saint’s curse / prophecy. It could even be argued that given the proliferation of examples, that cursing almost served a sacerdotal function. We have the secular side, the Filidh with their satire and praise, and the ecclesiastical side, the priest/saint with the cursing and blessing, both essentially being part of the whole.

The Schools collection gives us an interesting story:
A priest named Spratt, put a curse on the Marquis of Waterford after the Marquis said “Sure ’tis out in the sea with the sprats (brisling, garvie, garvock) you ought to be”.  He replied with “You will get enough of the sprats yet”.
We are told how later the marquis “could not stay on dry land”, started living in a boat but the sprats used to jump into his boat and could not be kept out. The Marquis got so tired of life that he shot himself. NFSC,  Volume 0650:117

Eventually, the church took an official stance against priests using curses. In 1798 Bishops in Munster said they would sanction priests who used curses against their parishioners. Cursing by priests was officially banned by the church, especially politically and in 1883 the “Corrupt and Illegal Practices Act” outlawed “undue spiritual influence”.
1872 we have another example of a priest’s curse: “May the arm that is now sick, sling dead and powerless by her side before 12 months time”. This was pronounced from the pulpit while pointing at the the intended victim, a person the priest believed was responsible for painting tar on the pews. I don’t know about you, but I would love some more context to this story! I found the pointing element interesting as it brought to mind the druidic form of cursing known as corrguinecht (Crane or Heron killing). This curse was cast by standing on one leg, closing one eye, and pointing at the intended victim while incanting the spell.

Another priests curse was said to cause a woman’s children to be born blind and crippled.
 

Curses against landlords

I’m sure at this point you might have noticed a recurring theme that landlords were often at the receiving end of curses (which is very understandable given Irish history). Threatening rhyming curse letters were sent to Landlords and musical curses were also composed. An example from Limerick in 1886 certainly doesn’t hold back:
“May you wither up by the fire of hell soon and sudden, may the flesh rot off your bones, and fall away putrid before your eyes, and may the consolation of eternal flames come to be your consolation in your last illness, and that the hearthstone of hell be your pillow forever’.
As extreme as the above example may seem, it wasn’t unique. Curses often asked for all sorts of terrible things to happen to the intended victim such as broken bones, rotting flesh, heads smashed, stomachs exploded, Limbs withered, Blinding and so forth.
 

Cursing Stones

Here again, we have an example of something that could curse or cure. This was done similar to the examples we have seen above with the anvil and millstone. Turning them “tuathal” or anti-clockwise while chanting an incantation would send out a curse. These are often found at ecclesiastical sites, often known as ‘ballaun stones’. Sometimes they have ‘homing stones’ that return to the site should anybody take them. As with many of the examples we have looked at above, the curse had to be warranted or would be sent back at you. Interestingly, despite the cursing stones most likely having an ecclesiastical origin or usage, many were destroyed in the 19th century by the clergy due to their connection to cursing. Stones that “had long being used to lay powerful maledictions” were sought out and systematically destroyed or buried. Fortuitously, they didn’t get them all and we have a number of examples dotted around the country.
 
NFSC: Vol.0095:147

Emloc is in the parish of Louisburg on the Sea. In olden times there were two stones or rather flags here; one standing, on the seashore, and the other longer and thinner lying by the first.
If your neighbors wanted fine weather very badly, and you wanted to send him bad weather because of a grudge you had against him you had only to repair to Emloc turn the sand with the long flat slab repeating the while the proper prayers in the proper way, and the next day the rain and the bad weather would pour down on your friend the enemy, and you had him settled.
Another tale about the Emloc stones tells of someone trying it out when there was no chance of rain forecast. Two days of torrential rain followed as soon as he had carried out the ritual. Upon visiting a local bar, a seanchaí told him that a priest had long ago dumped the stones in the sea. He replied that they must have washed back in (homing stones) and the the old people in the area believed there were  “bad spirits in them”.
 

The Evil Eye:

The Evil Eye was essentially a curse or malediction that could be placed on a person or animal by a person possessing the power to do so. This was done when the said person “glared” or stared intently at the intended victim. This is often referred to as being ‘overlooked’. The curse could be intentional or unintentional on the part of the caster. Children who weren’t blessed were in danger of being “overlooked” so it was considered suspicious to not utter “God bless the child” when seeing one. Overly admired children could also fall prey to the Evil Eye (Droch shiúl). Another form of protection falls under the category of really weird stuff you really shouldn’t do, and was carried out by spitting on the child. Countercharms were often used as a remedy:

·         Hum the alphabet
·         Hum the letters of the name of the victim
·         Write out the letters of the alphabet, sprinkle with holy water burn (with addition of cross x3)
·         Steal a piece of their cloak, burn it and inhale the smoke.
·         Red string tied to tales of animals (especially around Mayday)
 
The person who cast it could also reverse it.

An example from Duchas tells us: “ About forty years ago some people were admiring a heifer calf in a farmyard among whom was a woman reputed to have the “evil eye”. When the people had gone the calf fell to the ground in a fit, whereupon someone said that the woman with the “evil eye” should be asked to return [and} say “God bless her” over the calf. This was done immediately the calf stood up was as well as ever” (NFSC.Vol.0952:203).
 
You could be born with the power or gain it through being weaned from breast milk and put back on it. People with unusually coloured eyes, bushy eyebrows or certain hair colours may be more prone to possessing this power “Let not the eye of a red-haired woman rest on you.”  One account says that after a few fatal incidents that the person with “the evil eye” was forced to wear an eyepatch while walking around, however, he was said to also put his power to good use by later saving a pet pigeon when he stunned it out of a tree.

Mythical examples of this power include Balor, Togail Bruidne Dá Derga and Bruiden da Choca are some examples. We see numerous examples through the older sources where there is a connection between eyes and otherworldly or preternatural harm. Abnormal, differently colored eyes, and bushy eyebrows were associated with the evil eye. Babies and young cattle were especially vulnerable and even saints were known to have the evil eye.
I have an article covering more of  this ‘Curse’ here
 


Some Random Curses

With all this talk of curses, I should include some. Here are a couple that fall outside the categories above:

“Biadh a t-aifrionn gan solas duit,a bhean shalach” –  “May mass never comfort you, dirty woman”

‘Marbhadh Fáisg Ort’ – “The squeezeband of death on you!” (This is based on an item used to keep the mouths of corpses shut that was tied around jaw and head. This could be made from any material. So, basically wishing death on the person.
 

Medieval Curses

‘You son of a stammering, surly, puffed-up foreign woman‘ (mac ro boí oc gaillsig goit grúcbuirr)
‘You grandson of a ploughman [who is] filthy like a badger’ (uí airim brocṡalaig)
The rest can be seen here
 
Hope you enjoyed this sojourn into Irish cursing. Don’t forget to follow the facebook page and I will see you soon for the next article

Some others can be found here: https://www.sengoidelc.com/category/curses-insults/

Examples include:

Millfet lí th’aigthe! (I will destroy the beauty of your face. = I will kill you!)

Ní fes cía cú rot·chac for otrach! (No one knows what dog shit you out onto a dunghill!)

A chacc cuirre uidre ittige! (O shit of a flapping dun-colored crane!)

Bid móin ⁊ mothar a feranna-som co bráth. (Their lands will be boglands and thickets forever)

Ní raib úaid acht cairem ⁊ círmaire nó nech bed fíu iad. (“May none spring from him but shoemakers and combmakers, or people of that kind.”)

Úir aineóil tarat! (Foreign soil over you!)

Goirde shaogail duit abhus ⁊ ifrenn thall! (Short life to you on this side, and hell on the other!)

Sources

Duchas.ie (Schools collection), Main Manuscript Collection (NFC). Individual manuscripts mentioned in text.

The Evil Eye in Early Irish Literature and Law,  Jacqueline Borsje and Fergus Kelly, Celtica 24

Irish Cursing and the Art of Magic, 1750-2018, Thomas Waters

In Defense of Saints Who Loved Malediction, Ksenia Kudenko, in “Charms, Charmers and Charming in Ireland: From the Medieval to the Modern

European and American Scholarship and the Study of Medieval Irish Magic, Jacqueline Borsje in “Charms, Charmers and Charming in Ireland: From the Medieval to the Modern

A Guide to Early Irish Law, Fergus Kelly

Celtic Spells and Counterspells, Jacqueline Borsje

Praise and Early Irish Poet, Liam Breatneach, Éirú vol.56

How to make a Saint Brigid’s Cross:

Probably one of the most recognisable traditions of Saint Brigid’s feast is the “Brigid’s cross”. These were and still are traditionally made from either reeds or straw (but feel free to make them from paper or whatever is available to you. For examples of paper crosses see folklore.ie here). These were prepared on the eve of the feast in a highly ritualised manner. Depending on the region these vary in complexity. The simplest resembling the characteristic four armed Brigid’s cross. They were typically nailed to the thatch of the roof, over doors and in animal byres to protect from fire, lightning and fairy influence. To read more about the traditions of Saint Brigid’s day traditions, including more about the cross please see my article here .

Anne O’ Dowd’s book Straw, Hay and Rushes also has an excellent section on the crosses, including photos and information on the museum examples and types.

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What you will need:

Fresh rushes (or straw)

Scissors

Elastic bands or string

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Trim the rushes to about 30 or 40 centimeters, depending on how big you want your cross. Pick the best rushes from the bunch.

Take a single rush for the center piece. Take a second rush and squeeze the middle and fold in half, like the photo below:

Now wrap this around the first rush like so:

Bend another rush and place it as follows (Making sure to always hold the center tight to stop it all unravelling):

Again, bend another rush as place going this direction:

Now, TURN THE CROSS ANTI-CLOCKWISE once. The rush you just placed that was facing to left should now be facing down. (If you think of a clock, it should go from 9 to 6). Now bend another rush and place it as follows:

Now every single time you add a rush, turn it anti-clockwise once and keep building up the pattern like below ( so add rush, turn, add rush, turn, add rush, turn until you are happy with the size of the cross):

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Before placing the last piece, loosen a piece like the photo below and thread the final piece through it, placing it the same way you did the previous steps. Then pull the piece tight. This will hold the hold the whole thing together for you to tie off the ends, and will keep the pattern woven tighter:

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It should now hold together for you to tie the ends off and trim:

Hopefully this was of help for you and you should now have your own Brigid’s cross to protect your home or animals. Don’t forget to follow on Facebook at: https://www.facebook.com/Irishfolklore and feel free to leave pics of your completed crosses in the comments of the facebook post. Happy Saint Brigid’s Day!

And if perhaps you do admire,

That this great house did ne’er take fire,

When sparks ,as thicks as stars in the sky,

About the house did often fly,

And reach’d the sapless wither’d thatch,

Which dry spunge the fire would catch,

And where no chimney was erected,

Where sparks and flames might be directed

St Bridget’s cross hung over the door ,

Which did the house from fire secure

NFC Iml 1148:465 + Iml 482:172

Witch Trials and Witchcraft in Ireland: Alice Kyteler

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Alice Kyteler and the Kilkenny Witch Trial

In 1324 Richard de Ledrede , the then bishop of Ossory , declared his diocese a hotbed of devil worshipers.  Few knew the far reaching, dire consequences this declaration would have and the ripples it would send through the centuries. The woman at the center of all of this was Alice Kyteler, a wealthy woman from a Flemish merchant family. Her accumulated wealth over multiple marriages had led to the accusations of witchcraft in question.

Circa 40 years before the landmark case, Alice had married a wealthy merchant/moneylender and had a son. Following her husband’s death she married another wealthy man. He subsequently handed over his fortune to Alice’s son from the first marriage, much to the chagrin of his own children. This would later cause problems and ultimately become the impetus for the future accusations against her. Upon her third marriage, her son somehow benefitted financially again. Her final  and fourth marriage was to a knight, Sir John de Poer. At this point, her accumulated wealth at the expense of her stepchildren as well as de Poer showing signs of arsenic poisoning (hair and fingernails falling out and emaciated) led to the suspicion of Alice and the accusations of witchcraft. The changing attitudes towards sorcery and witchcraft, especially on the part of the church, would have a dramatic effect on this case, as would the machinations of the highly cunning bishop at the epicenter of the whole ordeal.

It was only a few hundred years prior to this case, in the 11th and 12th centuries, that sorcery/witchcraft was beginning to be seen as an inversion of Christianity. The practice of which would have been treated as a misdemeanor before this change in attitude. In 1258 Pope Alexander legislated in favour of inquisitorial prosecution for sorcery due to it’s new connection to heresy. This allowed the church to institute torture as a method to procure confessions from suspected heretics, witches and sorcerers. This in turn gave the church more power than secular court in these regards. Before this, it lay on the accuser to furnish proof of guilt. These ‘crimes’ had usually been dealt with in English law as a petty offense. Inquisitorial prosecution, it seems, was introduced into this case by Bishop Ledrede, who likely picked up the practice from his stay at the court of Avignon, the then Papal seat. Ledrede had originally been sent to Ireland in the years leading up to the accusations of Kyteler by the Pope (who was known to be terrified of sorcery) because of his “zeal for reform and strict adherence to the law of the church”.

In total seven charges were brought against Alice, including:

  • Denying Christ and the Church.
  • Cutting up living animals and scattering them at crossroads* as offerings to a demon called “son of Art”. *Crossroads are understood to be liminal spaces and are often employed in magical rites
  • Stealing church keys and performing rituals inside the church at night.
  • In a skull of a thief, her and her accomplices placed the entrails of animals, the organs of a cockerel, nails cut from bodies, hair from the buttocks and used clothes from baby boys who had died before baptism. Using these ingredients, they were said to have made potions to kill people and to make people hate Christians.
  • It was claimed Alice had a familiar with whom she fornicated. It either appeared as a cat, a shaggy dog or a black man.
  • That she used sorcery to convince her husbands to give their wealth to her and her son, and also used sorcery to kill them.
  • Poisoning her latest husband.

Ledrede had used a law Ut Inguisitionis (1298) to force secular powers to obey the word of a Bishop. Luckily a prior of the Hospitalliers of St John, a relative of Alice’s first husband, stood up for her and put a spanner in the works. Ledrede was told that he would have to hold a public prosecution and that she would have to be formally ex-communicated before they could go ahead with the charges. Ledrede attempted to have the Prior arrested on charges of heresy (and for harbouring heretics) but the prior had some powerful acquaintances, in this case the Seneshal of Killkenny. The seneshal had Ledrede arrested for 17 days to prevent the arrest of the prior. Ledrede used this to his full advantage to start to swing public opinion in his favour. He placed an interdict on the diocese, meaning that no baptism, marriages and burials could take place. Given the strong belief in hell during this period, this was obviously of grave importance to the eternal souls of all parishioners. He also used his influence while incarcerated to give masses in full regalia from his cell. During this time, the seneshal put criers in each outlying town to see if anyone wanted to lodge complaints against Ledrede.

Every move on Ledrede’s part was carefully orchestrated for maximum effect. He left his cell in full high vestments. He turned up at the seneshal’s court, in full regalia holding the consecrated host before him (as any assault on him, would ultimately be an assault on Christ himself). He was not alone. In toe were Franciscans, Dominicans and an entire cathedral chapter. He also carried a decree concerning heretics. After forcing his way into the court, the seneshal asked him to get in the dock for questioning. He claimed that since he was holding the host, it would be like putting Jesus himself on trial, just like when he was tried by Pontius Pilate. Despite the best efforts of all involved, it was inevitable that public opinion would sway in the direction of the church and the bishop due to the constant attacks and insults. Upon seeing that public opinion was turning against her, Alice used her wealth to flee from Dublin and was never heard from again. Her not as wealthy associates and alleged co-conspirators were subsequently rounded up and arrested using a papal decree and under inquisitorial procedure, confessed. Unfortunately, only the poorest of these, Alice’s maidservant, Petronilla de Meath, bore the brunt of the whole thing. She was tortured, whipped and ultimately burnt at the stake (it was legal to torture under church law, but not secular), while all the others were released on payment of sureties. William Outlawe, the friar, was arrested and accused of heresy. He begged forgiveness and was released on the condition that he would pay penance in the form of saying multiple masses each day for a couple of years, and also by re-leading the roof of a church. He was later re-arrested for not carrying this penance out.

A quote from a Franciscan friar at the time, John Clyn, reads: “Moreover, even in olden days, it was neither seen nor heard of that anyone suffered the death penalty for heresy in Ireland”.

So, what had brought about this drastic change in attitude in Ireland that culminated in the barbaric  death of a poor, young maidservant? In short, Ledrede, the man at the center of all of this. It is very likely that Ledrede himself introduced the connection of demonic forces and witchcraft to Ireland. It is no surprise that the landmark case found its way into a number of annal entries at the time. Many people, in a European context, believe that this case was a development “of a phenomenon which, with its distinctive characteristics of diabolism” gave rise to the great witch trials of the 16th and 17th centuries (of course the influence of the Malleus Malificarum cannot be ignored either). Before the Kyteler  case, these ideas had not really permeated beyond the Papal courts of Avignon. It was circa 1300 in France that learned circles started to disseminate the idea that a witch was connected to satanic sects and diabolical powers. To give further context to this, 17 years before this case, the King of France, Philip IV, had the Templar Order put to death on many similar charges and claims of diabolism. The pope of the time also fanned the flames by thinking his life was in danger from sorcery. Ledrede was appointed by the pope himself and had actually been present at court during the Templar trials. This of course is likely to have influenced his belief system and he is also likely to have had direct contact with the learned milieu who espoused the radical ideas of heresy.

Civil court up to the point of the case had seen  witchcraft as a minor crime, punishable only in terms of damage done to the victim. The church was not interested because there was no link with religion. It was even believed that in order to control demons, a sorcerer have strong faith and a devout belief in god in order for it to work (c.f Carey, The Nature of Miracles in Early Irish Saint’s Lives for a similar tradition in how miracles worked).

It would come as no surprise to anyone that five years following the death of Petronilla de Meath, Richard de Ledrede had overplayed his hand and was finally exiled from Ireland. Unfortunately for Petronilla, it was too little too late. So give a little thought this Samhain to all the women over the centuries who were executed under the guise of being “witches”.

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Bibliography:

Neary. A (1983), The Origins and Character of the Kilkenny Witchcraft Case of 1324, Proceedings of the Royal Irish Academy: Archaeology, Culture, History and Literature, Vol.83C , pp.333-350.

Williams. B (1994), The Sorcery Trial of Alice Kyteler, History of Ireland, Vol.2, No.4, pp.20-24.

The Evolution of the Irish Otherworld

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Few things have captured the imagination of the Irish across the millennia like the idea of the Otherworld. We have trips to the Otherworld recorded in some of our earliest tales, preserved in our oldest manuscripts. What is interesting is that these tales appear to have been an already strong tradition prior to having been written down in the Christian period by a monastic milieu. Like many other things in the world of myth and folklore, the idea of the Otherworld evolved over time. From domain of the Tuatha dé Dannan in the earliest tales, to the fairy Otherworld of modern accounts, this article hopes to illustrate a crash course in the Irish Otherworld and what elements evolve, and which stay the same.

 

We have a number of different literary genres of trips to an array of different worlds other than our own:

  • Eachtra (Adventures): These tales are overtly Pagan in nature and involve trips to the native, pre-Christian Otherworld. They often portray the Otherworld as being accessed through either entering a hollow hill or by the protagonist being surrounded in mist. These portals of entry are not confined to the Eachtra tale types and are found throughout the literature.
  • Imramma (Voyages): These are Christian tales, involving clerics setting off and visiting Otherworld islands that show signs of influence from the indigenous belief in the Otherworld. It is easy to see with the similarities between the pre-Christian and Christian Otherworlds and how there was almost a sense of rapprochement between the two traditions. A pre-Christian Otherworld with Christian Ideals (“Land of the Living where there is no Sin”). MacCana commented how “In most of its aspects, Irish Christianity is one of compromise and syncretism with indigenous tradition and usage”.
  • Fís (Visions): These are completely Christian in nature and deal with Christian eschatology and as a result the Otherworld in question is either hell or heaven and as such not applicable to this article.

 

“The multi-locational character of the Otherworld is evidenced throughout Irish tradition”  Prionsias MacCana

 

Typically the Otherworld may surround you but you fail to see it. It was described by  Ní Bhrolicháin as “A perfect realisation of this world. A place without death, disease, war and old age”, although there is at least one tale of the fairy Otherworld that depicts the fairies as aging and requiring a ritual to become youthful again.  As with much in relation to the Otherworld things can be contradictory.  In terms of the quote above the lack of war and death in the Otherworld is not exactly true, for example, in the case of De Gabháil in Síde (The Taking of Hollow Hill). Here death within the Otherworld is shown, although admittedly death is brought by humans entering in the sídhe (Otherworld, hollow hill). Humans bringing death to the Otherworld can also be found in Welsh sources, namely in the first branch of the Mabinogi, where Arawn, Lord of Anwyn (Welsh Otherworld) enlists the help of Pwyll in delivering a fatal blow to an immortal enemy. The need for human help in the Otherworld is also a very important element in the later fairy lore.

The Otherworld has received many names over the course of history, which again muddies the water  even further. It is never made completely clear if these are multiple Otherworlds or just a single one given different names. Some of these are as follows:

  • Tír na mBeo (Land of the Living)
  • Tír na mBan (Land of Women)
  • Mag Mell (The Plain of Delight)
  • Tír Tairngire (The Promised Land)
  • Tír na nóg (The Land of Youth)

There is also the later addition of Otherworldly islands such as Hy Brasil, Little Aran and an Island off Ballycotton (to name but a few). These are likely a direct influence from the Imramma tales and  only appear at 7 year intervals or during certain climactic conditions. The tradition of going across the sea to enter the Otherworld though only appears in two tales. Professor John Carey remarks how this was not in keeping with the native lore and may have been a product of the Ulster literary movement.

Summary of the Ancient Otherworld

The ancient Otherworld is portrayed often as being around us at all time, yet imperceptible to most people. It can be entered by passing through a hollow hill (Sídhe or Brugh) especially at liminal times of year such as Samhain . There are numerous mentions of the fact that “All sídhe are open at Samhain” and that the magical barrier, the Fé Fiada is not actively concealing them.

There is a time discrepancy between our world and the Otherworld, with them being at opposite points in the yearly cycle. We see examples of this in one of the early Finn tales when Finn McCumhaill (Fionn mac cool) is sat between Dá Chic Anann (The Paps of Anu) at Samhain. He can see into the two sídhe on either summit of the mountain and hears two men speak to each other. One says to the other “Is your Subhais good?”. The dish mentioned, Subhais, is typically a dish associated with Bealtaine, a festival at the opposite side of the year. This is similar to an event in Eachtra Nerai (The Adventure of Nera), also set at Samhain. As Nera returns from the Otherworld to warn the royal assembly at Rathcroghan of an impending attack, he is given Torthaí Samhraidh (the fruits of summer) to prove that he had been on a different plain to our own. This motif of bringing a gift back from the Otherworld is a prominent one which there are a number of examples, including it being a common occurrence within both Eachtra and Imramm tales.

It can also be accessed through bodies of water, such as lakes and there are many examples of tales that relate to underwater and flooded kingdoms or allusions to the Otherworld being under the water. This later evolves in the imram tales to the Otherworld being accessed by crossing the sea in boats, and later again to the mystical islands such as Hy Brasil. The difference between the Imram and Eachtra being that the Imram focuses on a “prolonged adventurous voyage at sea rather than upon the experience of a mortal in a single Otherworldly place”.

Music is commonly associated with the Otherworld in both ancient and modern accounts. Sad, mournful and magical music can often be an indicator that the Otherworld now surrounds you. The legendary Finn Mac Cumhaill encounters an otherworldly entity that emerges from a sídhe near Tara every 9 years and burns the royal fortress to the ground. He uses a magical instrument that causes people to fall asleep, not unlike the legendary harp of the Dagda himself. The element of mournful music combined with the magical aspect of it will be seen again in the modern Otherworld segment below.

Another theme that occurs in both old and new sources is abundance. This is a prominent feature throughout the tales. Feasts, trees laden with fruit and fields full of crops are often mentioned. In the human world this is intrinsically bound up with rightful rulership reflected in the fertility of the land. . The judgments and behaviour of the king reflect in the cosmos. Assuming the king has been ceremonially wedded to the land (personified in the form of the sovereignty goddess) and displays Fír Flatheomon (The King’s justice), the land would be fertile and abundant, as would the people of the Tuatha (petty kingdom). Were the king not to display these attributes, crops would fail, storms and plagues would ravage the land and children would be stillborn or born with deformities.

 

Modern Folklore of the Otherworld

Now we venture into the more modern take on the Otherworld, that of the fairies. We can see many parallels with the older tradition mentioned above with repeats of motifs such as altered time and reality, envelopment by mist, abundance and music. Here we see a departure from entering the Otherworld through Tumuli, which have been replaced by the monuments colloquially named “Fairy Forts”. These numerous monuments dot the Irish landscape, numbering roughly 30,000 or more, are also known by the names rath or lios. These were enclosured dwellings dating to the middle ages and to this day they are still treated with a degree of suspicion, or genuine fear. Many of these monuments lie unmolested in a farmer’s field, despite how much they may be in the way or taking up valuable planting space. The folklore record is full of what happens to those who dare destroy this abode of the good folk. Despite these innocuous looking “forts” appearing to us as a simple embankment ringed by trees, entering into them may transport you to the Otherworld, similar to entering a sídhe. Upon stepping into one of these areas you might find yourself in a mansion belonging to “the other crowd”. Likewise, it has been said that there have been incidents of people attempting to cut down fairy trees, only to be confronted by a member of the good folk asking why they are cutting into “the jamb of their door”. They will furiously protect their dwellings and usually death and destruction follow any desecration of them.

Unsuspecting people may also be transported by sleeping under a fairy tree or in some cases even from falling asleep on the side of the road. For example a tale recorded by Eddie Lenihan tells of a man who fell asleep on the edge of the road and awoke in “the finest house he had ever seen”. Here we see the common fairy lore motif of finding themselves in an Otherworldly mansion (which is a contrast to the older lore where entering a hollow brought you to an alternate land). More often than not these mansions have a huge table laden with food, mirroring the abundance of the “ancient” Otherworld. This food however comes with dire consequences. Should you make the mistake of ingesting any of this food, then you will remain in the fairy realm forever. A warning against doing this is usually given by another human (usually a long lost female family member) who had been “swept” (taken away) by the fairies in the past. These accounts and tales illustrate a grey area between the ghost world and the fairy world in the Irish lore. The Otherworld is often shown as being populated by not only the Sídhe, but also dead (or at least believed dead) humans. In terms of the food aspect, it could be argued there is at least one parallel between the ancient and modern beliefs of the intoxicating nature of the otherworldly food. Eachtra Conlae  tells us how Conla was able to sustain himself entirely on an apple from the Otherworld but as a result essentially bound himself to the Otherworld. Comparatively looking at the apple aspect, it brings to mind  Iðunn, the Norse goddess who had magical apples that prevented the gods from aging. The topic of aging brings me to my next point.

I mentioned above about the ageless nature of the Otherworld in the ancient tales. We have seen how the inhabitants of the sídhe are capable of dying, at least at the hands of humans. For the most part in the fairy lore, the good people are shown as likely being immortal. In many of the tales attributed to the  “fallen angel” origin theory, the fairies have been around since the fall of Adam and will be there till judgement day. They are variously described throughout the lore as being either beautiful or wizened so their actual aging process is ambiguous at best. A tale collected by Eddie Lenihan gives us a fascinating insight into the aging of na daoine usaile. In this narrative we are told of a man, who after being “swept”, is introduced to multiple generations of fairies of extreme old age. They claim to have been there for hundreds of years and require human help in retrieving a magical razor blade from a well (retrieving things from wells and wells connected to the Otherworld being examples of more ancient motifs). Shaving with this razor brings them back to the age of 35. This is the only instance I have personally seen a ritual where the other crowd change their age.

We see a number of times where time anomalies happen. Anyone familiar with the older tales will know that the passage of time in the Otherworld is much different from our own. Months or years spent in the Otherworld could translate to mere minutes passing in our own world (c.f Adventure of Nera) or centuries might have passed (c.f Óisín returning from Tír na nÓg). In the modern lore, time discrepancies are relatively tame compared to the older tellings, but are still evident. People will often suffer lost time, similar to those now popularised by UFO encounters. Invisible barriers might hold a person in place (likely to prevent them from witnessing some fairy activity). Another time when this happens is when people are “led astray” and might spend hours lost in the one field. Being “led astray” may take a more serious turn when a fairy mist descends upon you. This clearly echoes the old tradition of being enveloped in mist when being transported to the Otherworld (c.f Baile in Scáil). The difference here though is that the fairy mist has the ability to drown out environmental noises such as birds, wind through the trees and most importantly, the sound of running water. Crossing running water would allow you to escape so covering the sound of this allows the other crowd the ability to lead you astray even further.

Yet another aspect of continued tradition, albeit altered to a degree, is the association of the Otherworld with music and the bringing back of gifts. Music is often heard coming from fairy forts. This is always described as mournful, unnatural sounding music and many skilled musicians have tried to “take an air out it”, yet are unable to take a single note from it. The music in this case seeming to be esoteric knowledge they are not allowed access as there have been a number of tunes freely given to humans that could be played and passed down. (an example, with added lyrics by Muireann Nic Amhlaoibh, is found here of the fairy music Port na nPúcaí). There have also been healing books taken from the Otherworld, as well as other healing items such as Biddy Early’s blue bottle. This was used by the famous healer to diagnose and cure the multitudes of people who traveled to seek her powers of precognition and healing. The gifts have changed over time and we find no real evidence, that I am overtly aware of, that shows the bringing back of blossoming or silver branches as tokens that we find in the manuscripts.

Hopefully this cursory glance into aspects of the Irish Otherworld has given at least a brief look into the evolution of the idea of the native Otherworld throughout the centuries and that it illustrates the continuation of many motifs over a millennia that still remained strong in the oral tradition well into modern times.

 

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Bibliography

Duchas.ie

“Introduction to Early Irish Literature”, Muireann ní Bhrolicháin

“The Otherworld Voyage in Early Irish Literature” ed. Johnathon Wooding

“Meeting the other Crowd” Eddie Lenihan

“Folktales of Ireland” Séan o Suilleabháin

“Irish Folktales” Henry Glassie

“The Celtic Heroic Age” ed. Koch and Carey

“The Location of the Otherworld” John Carey

Shrove Tuesday

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Pancake tossing, Mr and Mrs Hall, Ireland.

Shrove Tuesday, colloquially known as ‘Pancake Tuesday’, occurs on the Tuesday before the beginning of Lent. ‘Pancake Tuesday’ remains very popular across Ireland to this day and is eagerly anticipated by almost all children. Most people around the country would have fond memories of rushing home from school to gorge on as many pancakes as they could manage. Many a boast and many a tall tale were made in school the following day as to how many pancakes were consumed the previous evening. This overindulgence lies at the heart of the tradition, which I will detail below.

“It is called Shrove Tuesday because on that day everyone is supposed to go to confession to be shriven or forgiven their sins in preparation for the Holy season of Lent. In Ireland Shrove Tuesday is a great day for marriages as they are forbidden in Lent”. (NFSC, Vol.0903:469).

In an account from County Cork, we are told how “On Shrove Tuesday night a crowd of boys dress up in old clothes. They go around to the houses where an old maid or an old bachelor lives. They make an old woman for the bachelor by getting a turnip for the head and a bag of straw for the body. They dress it in old clothes and they put it up on the pier. For the old maid they make an old man. This is called the Stócach. Sometimes they make an old man or an old woman on the wall with paint. This is often very annoying because it is very hard to remove the stains. (NFSC, Volume 0395:030). The targeting of unmarried people mentioned here is not an isolated affair at this time of the year more can be read here.

In this day and age, during Lent, you might find a select few who will attempt, and often fail to give up one luxury. In days gone by, it was a much stricter and more austere observance. Not only was meat banned, but also any form of dairy products (which accounted for a large proportion of the Irish diet). Ecclesiastical laws forbidding the consumption of the aforementioned items were promulgated through the Statutes of Armagh (1614, Synod of Drogheda) and the statutes of Clonmacnoise (1649), but it is believed that this was common practice for centuries prior to this time. Shrove Tuesday was a time to gorge out on the surplus of soon-to-be forbidden foods found in the house. The folklorist Kevin Danaher refers to it as ‘household festival’, where friends and family gathered together around the hearth to make and eat the pancakes. Interestingly, some families would have saved the holly from Christmas and this would be burned on the Shrove Tuesday cooking fire.

An account on Duchas (NFSC Vol.0392:006) mentions that games and dancing were part of the night’s revelry as well. The same account mentions an interesting element: “Long ago a certain man named Jackie the Lantern used to go around on Shrove Tuesday night. He used to have a lantern with him. Every person that he would catch, he would lead them astray. When the people would see the light, they would get dazzled from it”. A number of stories of ‘Jackie the Lantern’ can be found on Duchas.ie.

The flipping of the first pancake (a skill worthy of boasting) was carried out by the eldest unmarried daughter of the household. The result of which was used as a form of divination, to see if she would be married within the next year (as Shrove Tuesday was believed to be the final day one could get married, it would be at least the following year before she would have the chance to marry). If she was successful in the endeavour of flipping the pancake, she would be married by next year, but if she failed, she was doomed to be single for the foreseeable future (which could be a considerable cause of stress due to the status that was attributed to marriage in Ireland). This practice goes back at least a few centuries and was recorded by Mr and Mrs Hall as they toured Ireland in the 19th century.

Meat was also consumed in great quantities on the day. Records show animals being slaughtered for the occasion by wealthy land owners and the meat given to their poorer neighbours or tenants due to the old belief that nobody should be without meat on the day. An account from circa 1690 from a book salesman visiting Ireland from London tells of how the poorer people ate large amounts of meat on the day. This was a non-native account so it takes the usual dismissive attitude towards the Irish peasantry. He tells how these ‘papist peasants’ consume so much meat that it would sustain them until Easter, when again, they rise early in the morning to heavily consume “flesh”. The writer makes sure to stress the fact that these people are not of the upper classes.  A later tradition connected to the meat, is where a piece of meat was hammered into the rafters or up inside the chimney in the hope that it would not only bring luck, but also in the hope they would not want for food in the coming year (a possible form of sympathetic magic/transference?). The piece of meat remained for the duration of Lent and was removed for Easter Sunday. It would appear that the absence of meat in the house during Lent was symbolically replaced by the morsel in the chimney/rafters to insure there would not be an absence of meat for the duration of the year to come. Continuing with the animal slaughter theme, a far more barbaric tradition and thankfully long since discontinued was once practiced on Shrove Tuesday. “Cock throwing” was where people gathered to throw stones at terrified cockerels who were tied to posts. Whoever threw the killing blow could keep the bird, and it was not unknown to witness people carrying a number of the birds home. This appears to be an imported pastime, as it is found throughout England up until the 18th century. The same visiting book salesman who recorded the 1690 account above, recorded another ritual. In Naas, County Kildare, he tells us how groups of townsfolk would gather on horseback and travel to a nearby field. They would seek out a hare and encircle it. They would try to prevent it from leaving what the author calls “the magic circle” and shout and scare the unfortunate animal until it dropped dead from fright. This was done until they had killed three hares and then they would go home.

In terms of slaughtered animals there was once a tradition where the head of the animal was presented to a blacksmith. Whether this is somehow connected to the blacksmith’s high status in society or if it was an offering given to stay on the good side of the blacksmith due to the belief that they could curse people, is unclear. One final animal related traditions relates to lizards. Licking a lizard was said to imbue the person with the ability to cure burns and scalds. Doing this on Shrove Tuesday was said to make the cure more powerful and effective.

 

 

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Sources:

The Year in Ireland, Kevin Danaher.

Marriage and Matchmaking in the Irish Tradition

00000000000000000000000000000000001.jpgAlthough we have no real tradition of folklore relating to St Valentines Day (with the exception of the two pieces related to cards I was able to find below from the National Folklore School’s Collection), we do however have a number of traditions relating to matchmaking and marriage. Read on to find out about Shrovetide weddings, the Skellig Lists, Chalk Sunday and other traditions related to marriage and matchmaking.

St. Valentine’s Day falls on the 14th February. On that day it was a custom to send comic cards to one another. This custom has died out. https://www.duchas.ie/en/cbes/5070789/5063672/5094796

On Valentine’s Day (14th Feb) people used to send Valentine cards, which were about the size of a post card. There were coloured bows of ribbons attached to the corners and little rhymes written under them such as:-

If of me you often think
Send me back my bow of pink
If to me you would be true
Send me back my bow of blue
If you are another girl’s fellow
Send me back my bow of yellow.
If to me you would be wed
Send me back my bow of red
If with me you wouldn’t be seen
Send me back my bow of green

The sender used to write her name in the middle of the card.  https://www.duchas.ie/en/cbes/5008887/4963875/5078003

 

Shrovetide weddings

Shrovetide was customarily the time for traditional marriages in Ireland, with Shrove Tuesday being the optimum day of choice for such an occasion.  Typically marriages were prohibited during the penitential season of Lent so people tried to marry just before its beginning. From Little Christmas (6th Jan) onwards, matchmakers would have been busy arranging marriages and the entire community would be awaiting the celebrations of the upcoming weddings of the successful matches.

 

Wedding customs

  • Violins would be played while entering the church
  • Tray of copper and silver coins were handed to the groom when exiting the church to be thrown into the air and scattered into the crowd. This inevitably drew the attention of children but also drew attention of beggars and vagrants who would gather at these events, with accounts of brawls sometimes breaking out between them for possession of the coins.
  • The house of the bride’s parents was the scene of the after party, a far cry from the luxurious and expensive hotels now favoured. Music, feasting and dancing continued long into the night (and no doubt other matches were formed during the party.) On the way to the house it was not unusual for groups of boys to halt the wedding party by stretching a rope across the road. The groom would have to pay a small fee to pass.
  • The bride’s mother would often break a cake over the bride’s head for luck.

 

 

Chalk Sunday

The first Sunday of Lent was known (in Munster and Leinster at least) as ‘Chalk Sunday’. Here, anyone unlucky enough not to have made a match or to  have married during Shrovetide, were targeted on their way to or from church, by youngsters brandishing chalk who would proceed to mark the bachelor’s with lines and squiggles on their clothing. This for the most part would be met with good humour, at least from the younger bachelor’s who had some hope of marrying the following year. From the older generation, it might be met with verbal abuse or a chase with a walking stick. It persisted in some areas until the 1930’s or 40’s. It should be noted that being married offered an element of status within the community. An unmarried male of 50 was considered a ‘boy’ whereas a married 25 year old male was considered a man. Conversely, the same applied to women. In some areas “Salt Monday” took the place of this, where a sprinkling of salt was sprinkled on both bachelors and spinsters to preserve them till the next Shrovetide.

 

Skellig lists

This was a Munster tradition owing to the belief that Easter occurred a week later on Skellig Michael and thus meaning  Lent had not occurred yet on the Island, allowing people an extra week to get married. This led to people being publicly  targeted in a similar fashion as the Chalking with jibes such as “don’t miss the boat [to the Skelligs]”. Local poets were encouraged to write poems and lists of the unmarried people (dubbed the Skellig lists). This went to the extreme as the lists were printed out and handed around the parish (minus the printers name for fear of retribution) and large posters being printed and placed around the town advertising the “great excursion” and all those that would be taking part.

 

Matchmaking

In the day’s long before online dating sites or “swiping right”, many matches were carried out by a third party arbiter, sometimes in a semi-professional or professional manner. This third party representative was sometimes an acquaintance of the people involved and would try to negotiate a pairing and the accompanying dowry (not unlike the bride price or coibhche in the Brehon Laws). The Lisdoonvarna  Matchmaking Festival that features a third generation Matchmaker, is an annual festival that harks back to those bygone days, attracting many singles each year. A few accounts of this practice of matchmaking, as found on Duchas.ie, are below. You can follow the links to see the original manuscripts.

From a few days after Christmas until Ash Wednesday in every year is called Seraft, and long ago country people made matches for their sons and daughters during that time, and any girl that was on the marriage list and did not succeed in getting a husband was supposed to be very sulky and have a puss on, the last Monday of the matchmaking period. This was called puss Monday. When a young man wanted to get married he looked around his own village and the village next to it to find a suitable girl. Then he asked somebody who was acquainted with the girl to go and see her parents and see if they would give their consent, and if they agreed they would arrange to meet together the next day in a public house in town, and the young man would stand drink for everyone. Then they started the matchmaking and her father asked the man what lands he owned or how much fortune was he looking for, then if they could come to a settlement the girl’s father would have to give the boy the fortune. https://www.duchas.ie/en/cbes/4428050/4372260

 

Ancient Marriage Customs
Shrove Tuesday is the last day on which anybody can get married before Lent. Most marriages take plave between Advent and Lent. IN country places most marriages take place as the result of matchmaking. What is known as matchmaking is, when a man wishes to get married he looks for a girl of marriageable age, who has a good fortune. When he decided upon the girl he wished to ask in marriage but he gets a friend to go to the girl’s house to make terms with the father. The friend finds out what fortune the father is willing to give her. The friend goes back to the man and tells him the fortune. If the man thinks the fortune is big enough he goes to the girl’s house and often brings a bottle of whiskey with him. If the terms are settled satisfactorily the bottle of whiskey is produced to settle the business. The date of the marriage is then fixed. https://www.duchas.ie/en/cbes/5044823/5041972

  Wakes

Looking at the solemn nature surrounding death and the funeral process in the modern day, one would not expect them to be a place where matchmaking would occur. The Irish wake however, was a surprisingly social event. I wrote an article on the gender roles associated with the wake (and some of the traditions associated with it) that can be read here. But in short, it was a time where the whole community gathered, and outside of the formalities associated with the process, it was a time where the young people gathered to compete in feats of strength, drinking and taking part in (sometimes borderline bawdy) games and fake weddings among other activities. This sometimes resulted in romantic matches and subsequent marriages. If you want to learn more about the games and activities, Irish Wake Amusements is a fantastic book.

 

Marriage divination

A common form of divination in Ireland was related to marriage. This was mostly carried out by women wanting to see who their future husband would be, but there are  accounts of men also carrying out these forms of divination. The optimum time for this practice was Halloween when the veil between this world and the otherworld was at its thinnest. People took advantage of the temporal liminality to divine the future. A list of these traditions can be found in my Halloween article here. Looking closer to Valentine’s days, at Shrovetide, the following tradition was recorded: Pancake tossing on Shrove Tuesday. Tossing of the first pancake is done by the eldest unmarried daughter of the host house. An unsuccessful flip of the pancake means she will not be married in the coming year.  If successful, she cuts as many slices as there are people present and gives a piece to each person. A wedding ring might have been placed in the batter (similar to in barm brack at Halloween) and whoever finds it will have great luck receiving a prosperous and loving marriage.

Sources:

Duchas.ie

The Year in Ireland by Kevin Danaher

 

Folklore of Saint Stephen’s Day

 

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One of the most striking traditions associated with the 26th December is “The hunting of the wren”. In the past teams of young men would go out and hunt down the small birds to kill them and place them in the “wren bush” that they would carry around. They would then travel around performing music and collecting money. The origins of this peculiar tradition are lost in the mists of time. Of course with many folk traditions whose origins are obscure, it has been theorised that the custom has a pre-christian origin

Today, the tradition continues in many places but with the omission of the bird killing (fake birds are now used). The  Wren boys would disguise themselves, sometimes dressing in girls clothes, use veils or curtains on their face, or use the traditional straw men garb. Below are a few accounts of the tradition:

“people who don’t eat meat on the day will not be sick during the year”

(NFSC, Volume 0787, Page 56)

Wren Boys:

Young boys go around with the wren.They hold the wren in a box and sing a song. The song is:”The wren, the wren the king of all birds.St. Stephen’s Day was caught in the furze. Up with the kettle and down with the pan, Give us something and honour the wren. On St. Stephen’s Day people go visiting (NFSC, vol.0104: 391).

>In The journals of the Kildare archaeological society,v, 452 it mentions that if any of the wren boys were refused money when they visited houses, they would bury a wren (from their “wren bush”) opposite the hall door into which no good luck could enter for twelve months (Danaher,1972:247). Just to address the burying of the wren, there was a strong tradition in Ireland of sympathetic magic such as that displayed above. Often referred to as a “piseog”. Often meat, eggs or straw dolls were buried in a field of the person you wanted to “curse” or affect the luck of the person you aimed the piseog at. Sometimes items were also placed in walls or foundations of houses to bring luck (I might put an article together about this at some point).

>On St.Stephens day the boys of the district go with the wren. They disguise themselves. Some of them dress like girls. They wear masks and old clothes. They go from house to house singing,dancing, and playing music. They recite the following wren song; “The wren, the wren, the King of all birds, on St.Stephans day she was caught in the furs. Although she is small her family is great. Stand up young laddie and give us a treat. Up with the kettle and down with the pan. Give us some money and let us be gone. Look in the purse,There may be a copper there.help the wren. They gather a great amount of money and get plenty to eat and drink as they go around at night, they meet together and have a “spree.” (NFSC,Vol.0823:101)

“If there was no wren –  people would think it was not Xmas at all”. (NFSC,Vol.0769:170)

>My father told me that when he was a little boy the people were more superstitious than they are now. If persons refused to give money to the wren boys, twenty or thirty years ago, all they had to do was to say that they would bury a feather of the wren convenient to their house and they would immediately give money rather than run the risk of having bad luck for a number of years.
Long ago the wren boys went on foot from house to house and as they could not cover a great deal of ground the takings were generally small.
Sometime they trampled through rain and snow from morning till night and had only one shilling or one and sixpence for their trouble.
Nowadays the wren boys travel on bicycles. (NFSC: Vol.0760:531).

“We followed him up,
We followed him down,
Till one of the wren boys,
Knocked him down.”

“Our clothes we tore,
And our boots we wore,
Following the wren,
For three days or more.”
“The wren-boys,
The wren-boys,
Here we are again,
We won’t be here,
Till next year,
And here we are again.”
(NFSC: Vol.0700:349)

>On St. Stephen’s Day the “wren-boys” go around in procession from house to house. Grown up men come to the village also from the adjoining towns, and they are so well disguised that they are rarely recognized. They usually have a few melodeons in the party, and dance while a few go around to the houses for money. The whole party often enter the house, and dance among themselves or with the women-folk of the house – if they enter into the spirit of the festival. There is not any particular old song sung at this time – just any song they can all sing together. It is usual to spend the money gathered on drink and eatables to provide refreshment at a night’s dance which they hold in some neighbour’s house. The “wren-boys” are often called the “mummers”.
The custom of children dressing and going around gathering money is dying out of late. (NFSC:0056:0153).

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Image: The Photographic Collection, H055.18.00013
Image and data © National Folklore Collection, UCD.

Fairies and Fairy lore: The reality of the Irish fairy

 

00000000000000.jpgFairies remain a popular interest to many people although not many know the true nature of these beings in an Irish context. Due to the destructive influence of popular culture, many people wrongfully assume that they are small, winged, harmless creatures. This is not the case and in truth, it is much more complicated than that. I have had many people refuse outright to believe, despite all the evidence to the contrary, when I inform them of this, so I hope this article makes some of this clearer.

They may sometimes appear smaller than us, but certainly not minuscule like the tinkerbell-esque creatures people expect. They look just like us and certainly don’t have wings, but due to existing on another plane to us, are able to conceal themselves. They live lives like us for the most part. Below I will detail how they live in their society, their origin stories and other information. Fairy lore, a pervasive belief around Ireland offers us a fascinating glimpse at the Irish perception of the otherworld- an alternative realm parallel to our own but just beyond earthly existence and our own temporal sphere. Eddie Lenihan, arguably one of foremost experts on the fairies, would argue that there is considerable and respectable proof of their existence owing to the vast corpus of material available through the ages and in all this material they  have been described in great detail ( and not once have they been depicted with wings!).

Naming conventions

To start I will look at the naming conventions. The word fairy is the most Widely known and easily identifiable  ,although it is not a suitable, nor respectful term to use as such (as it falsely equates them with English fairies who are closer to imps or the tinkerbell type). Nor is any form of FAE or FAERIE (from old French and latin respectively). Known in Irish by many names and circumlocutions, they are not usually named directly for fear of insulting or invoking them. Typically know as Aes sídhe or daoine sídhe (the people of the mounds), they could also be referred to as na daoine maithe (the good people), na daoine úaisle (the noble people), the fair folk, the other crowd, the people of the hills and so on.  For the remainder of the article I will simply refer to them as sídhe or the other crowd.

 

Society, likes and dislikes

So how does their society work? They have amusements similar to ours: they like to dance, play music and play games. They have been known to play Gaelic football (never soccer), hurling, bowls and chess. In terms of the games they will sometimes illicit the help of some hapless human (who dare not refuse them) to referee or take part in the match. The need for human help is a common motif and they will often be spirited away to take part in the games or in some cases where human women must act as midwife to deliver babies for the sídhe.

They have specific dwellings and a number of features of the landscape are often identified as being the abode of the other crowd, such as ringforts (lios or rath in Irish, these are circular enclosured earthen dwellings mostly dating to the middle ages), tumuli, dolmens or lone trees known as fairy trees (traditionally hawthorn). These enclosures and suspected abodes are usually treated with extreme caution even to this day (and good luck trying to find someone willing to cut down a fairy tree). They will furiously protect their dwellings and woe betide to anyone stupid enough to mess with them. Death and destruction is all that typically awaits those who transgress. That being said, they can make good or bad neighbours depending on how they are treated. They can be belligerent, but are placatable.  Their true dwellings, those that exist in the otherworld are typically conceal from our view, similar to the magical barrier, the fé fiada, that was said to conceal the mounds and hostels of the Tuatha Dé Danann.

They have their own specific pathways and roads and they would travel from place to place. When building houses it was not unusual to mark out the shape of the house with willow rods or small stone cairns. This would be left overnight to see if the house was “in the way” of any of these fairy paths. The willow rods had been removed from the ground, or the cairn of stones was disturbed, it was believed that the house was in the way of a fairy path and the process would be repeated until the rods or stones are left untouched. Many tales tell of houses that were in the way with loud noises being heard in the house at night, crashing, doors slamming, houses collapsing and general bad luck within the household.

Like ourselves, they have likes and dislikes. They like things like gold, milk (the first milk, known as colostrum or beestings, is often given as an offering to the sídhe), tobacco and poitín (often given as an offering to them). Most things associated with them are of a particular time: they will ride horses, but not cars or any auto-mobiles, they fight with sticks or hurleys but never guns or knives. Most of their activities are associated with Gaelic culture or associated with the natural landscape. When it comes to their hates, there are a number of items. They hate iron: it is one of the main repellents used when trying to discourage the other crowd. You see this a lot when trying to protect babies from being stolen and replaced by fairy changelings. It also pops up a lot in terms of protection while churning. Iron is an age old deterrent against evil or supernatural forces and many cultures around the globe believed this and as a result blacksmiths and iron workers are usually revered or thought to possess special powers as a result of them working with the iron (there is an article focusing on blacksmiths and the supernatural here ). They also hate salt and you will often encounter it being used as protection when churning butter. Salt will be sprinkled on the lid of the churn, underneath or into the butter itself to protect the process from being interfered with by the sídhe. Salt rubbed on  the head when venturing outside at Halloween was used to protect anyone outside after dark. They also have a dislike of anything dirty (such as messy houses), they have an aversion to Christianity (both of their origin stories play into this and it is a common theme of many folktales where the sídhe will try to get a human to question a priest as to why they can’t get into heaven). I will cover the origin stories below. They also hate running water  and are unable to cross it. This is also a common feature of folktales where someone fleeing the wrath of the sídhe, will only escape through crossing a stream (or in a few cases leaving Ireland completely by ship!).

The other crowd are also more active at certain times of the yearly cycle (such as may day or Samhain) and also at certain points of the life cycle (such as at birth) so salt and iron were used, among other things, at these times to remain safe from any malevolent actions the sídhe might want to take against you. As I mentioned above, may people find it hard to believe that they are not harmless. I have spent hours trying to convince some people that it is not in their best interest to seek out the sídhe. Even slight transgressions have ended in death, maiming or with transgressor ending up being driven completely  mad or catatonic. I should add a caveat here. They are not overtly evil. They just have their own (often mysterious) agenda.  It just so happens that accounts and tales of people falling foul of them far outweigh the opposite. That however does not mean they can’t or don’t help people. As I mentioned above, they sometimes need human intervention (be that in a sporting event or delivering a baby) and for their help, the person will often be rewarded. They have bestowed powers of healing (such as Biddy Early’s blue bottle or a number of healing books said to have been given to certain people over time). They have also been known to have bestowed fairy music on musicians who have played for them at a party. In times of famine, they have sometimes given otherworldly cows (designated by their white body and red ears) with endless milk to certain communities (who often inevitably mess up by exploiting this gift).

 

Origin story

As I mentioned above there are two main origin stories for what we now call the fairies. There is what could be termed the native origin story, and the Christian one.

Native: From ancient times it was believed that a supernatural race has been believed to have lived in the hills, tombs, beneath the sea or lakes or on far away islands. In the literature, these are traditionally know as the Tuatha Dé Dannan, the old gods of Ireland (such as Lugh, the Dagda, Brighid etc). These were seen as living in the otherworld, parallel to our own, but concealed from view. So, when it comes to what I termed the “native” origin story, it is believed that the “fairies” are in fact the Tuatha Dé Dannan, albeit diminished in spiritual significance, power and physical stature following their defeat and banishment underground.

Christian: As most will know, the entirety of our myths and legends were first recorded by Christian clerics in monastic scriptorium. Unlike the usual modus operandi elsewhere in Europe to demonize the pagan past, Ireland instead opted for euhemerisation. Most stories were given a Christian slant, but this was to work the stories into a Christian framework and make them acceptable. Unfortunately this meant that some gods were turned to humans (such as queen Medbh, Finn Mac Cumhaill, Brighid etc) and some stories were corrupted but for the most part, they were recorded by Irish monks who had an interest in the pagan past and were, in  a sense, sympathetic to it. This leads us to the origin of the fairies as being half-fallen angels, cast out of heaven for not picking a side during the rebellion. They remain, half-way between heaven and hell, in the sky, on the land and beneath the earth, cursed to never see heaven (or till judgement day in some cases). This christian explanation for the sídhe became popular in the middle ages, no doubt a means for resolving the tension between the native and Christian cosmologies. As such it is not unusual to have  devout Christian who fervently believes in the other crowd. This clearly preserved the native tradition and it’s syncretism also gave the fairy faith a prominent place in Christian eschatology and cosmology.

Herbs and Healing in the Irish Tradition: Cures for TB and Warts

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Copyright Shane Broderick

When we think of healing today, the knee jerk response is to think of doctors, hospitals and prescribed medications, made up of all manner of chemicals that come with a long list of adverse side effects.  That modern medicine we are all familiar with is a relatively new discipline and up until very recently in Ireland the average person would have sought medical help from the local wise woman (bean feasa), herbalist or someone who simply ‘had the cure’.

In the schools collection we are told the following by one informant “Long ago in Ireland the people used herbs to cure people and animals. They tell us there is a herb for every disease if only we knew it or could find it out” (NFSC, VOL.0141:410) .  Sometimes these cures relied on a knowledge of herbs and other times its providence lay in the supernatural realm or simply through means we would consider as ‘magic’. Ireland has a vast corpus of medical manuscripts that survive from the middle ages showing its rich history of learning and medicine, but we are lacking in accounts of the everyday person who practiced healing. There are however, many comparable accounts found in the UK from the middle ages onwards.

We see comparable elements, for example, in the use of magical charms as a form of healing, a practice we know was popular in Ireland up until relatively recently and many of which are found in the schools collection. One such account from William Perkins, A Discourse of the Damned Art of Witchcraft” in 1608 tells us that “charming is in as great request as physic, and charmers more sought unto than physicians in time of need” (Thomas, 2003:209). Thomas (ibid:210) also mentions that with the “inadequacies of orthodox medical services left a large proportion of people dependent upon traditional folk medicine”. This also could be applied to Ireland. There has of course, since the establishment of orthodox medicine at least, been a propensity towards thinking that these practitioners of native healing were in some way less reliable than ‘educated’ doctors. Lady Gregory tells us of a saying in Irish, “An old woman without learning,it is she who will be doing charms” (Gregory, 1976:148). This association with formal learning betrays the centuries of knowledge amassed by these practitioners of native healing, a tradition passed orally through the ages. For the purpose of the essay I will be searching through the National Folklore Schools Collection to see what treatments that are available for Tuberculosis, often called consumption in Ireland and I will also be looking at the treatments and ‘cures’ for warts.

To begin I will focus on Tuberculosis (TB), known colloquially in Ireland as ‘Consumption’ or ‘wasting sickness. In Ireland in the late nineteenth and early twentieth century TB was amongst the worst of the ‘killer diseases in Ireland. Rates of infection had risen in Ireland even after rates had decreased in England and wales after the significance of contagion was recognised in the 1800’s and with many considering it to be a particularly Irish problem in the early twentieth century (Jones, 1999:8).

When looking at cures in the schools collection (hereafter NFSC) we see a range of treatments, as is usually the case, ranging from medicinal to magical. In terms of plant based cures for TB, the Mullein plant, scientific name Verbascum, pops up on numerous occasions. The extracts of this plant have been used as part of traditional medicine for hundreds of years around the globe (Akdem & Tatli, 2006:85). The efficacy of this in treating TB is no doubt due to its use as an expectorant and its mucolytic qualities. It is often used to treat respiratory ailments and has antimicrobial and immunomodulatory qualities (ibid,8). In terms of the NFSC we find a number of ways that it was used. We are told that It cures consumption (NFSC, VOL.0922:139) and that it can be found in good soil. In terms of preparing it we are told to boil it and drink the water (NFSC, VOL.0773:125-6).

Another plant based cure that is mentioned is the “marrow plant”. The informant mentions that it is a flower that grows in your garden that blooms in the month of October (NFSC, VOL.0665:108-9). I am unsure of the plant in question and there is no instruction on the preparation of the cure. Other forms of plant based medicine mentioned in the schools collection include cures involving the use of garlic. The following account mentions that garlic was supposed to cure “almost any disease”. The account goes into much greater detail than many others and displays some real knowledge in terms of healing. It claims that a few “grains” garlic per day while fasting is of great benefit to those suffering from consumption or other lung diseases. It recommends using “new milk”, colloquially referred to as “beestings” or colostrum, to boil garlic in. It also mentions that this cure is particularly efficacious when used by babies or delicate people (NFSC, VOL.0141:410). Bovine Colostrum is widely believed to be particularly beneficial to humans and it has been said that “colostrum from pasture-fed cows contains immunoglobulins specific to many human pathogens” (Buchan, Borissenko, Brooks & McConnell, 2001:255). The use of garlic in this case is most likely due to its anti-microbial, antibiotic, expectorant and immune boosting properties (Kellet, 2003:71).

Milk does feature in many of the cures, with varying ingredients being boiled in it. Many of the cures however are not simply cure-alls and must be taken at a certain time in the progression of the disease to be effective. We are told that boiling a dandelion leaf in milk was a cure but if it was not drunk before a certain point that it was not effective as a cure (NFSC, VOL.0109:405). Unfortunately we are not told what stage this is to be drank at, but we could surmise that it is in the early stages of the disease. Both dandelion and garlic boiled in milk is mentioned elsewhere as a preventative if drank regularly (NFSC, VOL.0787:280). In terms of the specific time the cure has to be taken, the following account (NFSC, VOL.037:0057) mentions that it is a “perfect cure” if taken in the early stages of consumption. The recipe involves boiling “Sugar, Candy, liquorice, whiskey, Sweet-stick, brown sugar, a small quantity of flax seed and meacan na gcaorach” until it forms a syrup. I am unfamiliar with the plant ‘meacan na gcaorach’ [sheep’s root?] but it is mentioned as being a “garden vegetable with yellow flowers and large green leaves” (possibly sheep sorrel?) .

The following cure does not have any basis in actual healing but instead relies on a form of transference or sympathetic magic, often referred to as piséogs. This particular type of magic can be found in many cultures but is found in abundance in the Irish folkloric record. A prime example of this is ‘gathering the dew’ on may eve.  This form of sympathetic magic works by gathering the dew from the grass, while simultaneously stealing the ‘profit’ or butter from the intended target (NFSC, Vol.0528:142-3). Other forms of this magic include gaining power over another by possessing a piece of hair or clothing as well as it being found in cures that involve “like curing like”, such as “the hair of the dog that bit you” (Hanna, 1909:96) or “whistling for the wind” (a factor that popped up numerous times in my own field work when interviewing fishermen). Another more common example in Irish sources is the practice of tying rags to a “clootie tree” at a holy well. As the rag rots so does the disease.

The curing of consumption in this account is of a similar nature to this. It involves putting an egg into an ants nest and as the egg is eaten by the ants, the sickness will disappear also (NFSC, Vol.0800:155). Another account similar to this mentions how old people used to say that if you carry a potato around in your pocket that it would cure consumption (NFSC,Vol.0386:158). The potato here supposedly drawing out the disease in an act of transference. The final cure I would like to look at in relation to consumption leaves unsure as to whether it falls into the category of medicinal or magical or both. The cure in this instance involves acquiring seven rusty nails and putting them into a pint of porter for seven days (NFSC, VOL.0525:002). The use of rusty nails in porter (with its inherent iron content) seems to point to a recipe that involves a high Iron content but the fact it has to be specifically seven nails for seven days seems to point to a magical element. The number seven features prominently in Irish sources (in both ancient literature as well as more modern folklore such as seventh son of seventh son) as well as in biblical numerology. Also of course the fact that in many places around the globe, Iron is considered to be “imbued with an air of magic” (Jennings, 2014:2), and appearing in many tales as a deterrent to fairies and other supernatural creatures. The fact that the account mentions that as the drink depletes that the consumption will go with it seems to also allude to the fact that there is some form of transference involved here also. I should also mention that one account I encountered put emphasis on the fact the cure in question relied on it being prepared by “an old family” in the district that were noted for “curing where others failed”. They would make cures from “simple herbs” that could cure “dangerous” diseases such as consumption (NFSC, VOL.0824:128). Certain families having specific cures is quite common in Irish sources such as the Keoghs having the cure for shingles (NFSC, VOL.0823:480).

 

Warts

The second series of cures I would like to cover are for Warts. These feature a crossover of ingredients as well as also having a mix of medicinal cures as well as relying on supernatural or magical means as a means of getting rid of them. Wells and ballaun stones (the water that gathers in the hollow such as the “hole of water” mentioned in NFSC, VOL.1076:20) are often used for the supernatural cures. It is important to note though that since many of these healing powers are seen as rooted in Christian traditions that the healing is seen as a miracle as opposed to some form or act of magic (zuchelli,2016:149).

A number of different methods of cure were collected by Andrew Taylor (NFSC, VOL.1116:234). He tells us that any wells dedicated to St Patrick will cure the warts. Here we see the magic/religion overlap. He also tells us how rubbing clay on them and throwing it after  a funeral will get rid of the warts  .The others mentioned by him on the other hand rely on an entirely magical means of curative power, such as rowing a boat with the outgoing tide. Another example, again of transference like those found in the cures for consumption, is sticking a pin in your warts and then sticking the pin into a grave. Among some local cures collected in Dublin (NFSC, VOL.0787:334) we find both plant based and magical remedies side by side. The “stuff like milk” from the stem is said to cure the warts but the account also mentions a means for ridding one’s self of the warts through sympathetic magic. This involves counting the number of warts and putting the corresponding number of stones in a bag and throwing it in a field. Whoever is unlucky enough to pick up the bag gets the warts and they will go from your hands.

Frances Gallagher (NFSC, VOL.1076:20) tells us that there are a “whole lot of cures” for warts. Most of the cures collected by her fall under the heading of the sympathetic magic that has been seen in a number of examples above.  She also mentions the stone trick, but it is to be left in the middle of the road instead of in a field. She also recommends that the package they are in should be made attractive so as to attract someone to pick it up. She suggests however that ten stones be collected, one throw away and the remaining nine put in the package. Another cure mentioned by her suggests that the warts be rubbed on the gizzard of a hen and then bury it. As this rots the warts disappear.

An interesting mix of both the sympathetic magic and religion can be found in Leitrim (NFSC, VOL.0229:303) tells us that rubbing the warts with straw, say some prayers and then bury it. As the straw decays so will the warts. As with the cure for TB being held by a family or person, we get this also in the cure for warts. In an account by Mrs Mulryan (NFSC, VOL.0770:451), she tells us that in her locality there was someone by the name of John Rogers who had a charm that he would not tell to anyone. He only required to know the number of warts. Whether he was using the same sort of sympathetic magic as above, we could only speculate, but there are mentions elsewhere (NFSC, VOL.0326:316) that tell us that people had charms for giving warts to another.

These examples above are by no means an exhaustive list of the therapeutic modalities available for either the consumption/TB or for the removal or treatment of warts. It barely scratches the surfaces of the cures given in the schools collection. They do however show that certain elements pop up again and again in the accounts with varying degrees of complexity  to the instructions. The examples given also provide a good mix of both practical plant based lore and a more magical approach to the problem.

 

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Bibliography

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Jennings, P (2014), Blacksmith Gods: Myths, Magic & Folklore, Moon Books,  Winchester, UK. Zuchelli, C (2016), Sacred stones of Ireland, Collins press, Cork.

Jones. G (1999), Medicine, Disease and the State in Ireland, 1650-1940, Cork University Press, Cork.

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NFSC, VOL.0037:0057, Collector: Eibhlín Ni Ailledéa, múinteoir, Dunmore, Co. Galway, Informant: Edward Burke (74),farmer, Carrownaseer South, Co. Galway.

NFSC, VOL.0141:410, Collector: Annie Munnelly, Gallowshill, Co.Mayo, Informant: Patrick Munnelly, Gallowshill, Co.Mayo, School: Gort an Tuair, Gortatoor, Co. Mayo, Teacher: Áine Nic Oirealla.

NFSC, VOL.0525:002, Collector: John Creed, Domhnach Mór, luimrick, Informant: Patrick O’Connell, Teacher: Aingeal Nic Aodha Bhuidhe.

NFSC, Vol.0528:142-3, School: Mungraid (B.) Luimneach (roll number 14409), Location: Mungret, Co. Limerick, Teacher: Mrs B. Mulroy, Informant: Patrick Hartigan (50), Address: Clarina, Co. Limerick.

NFSC, VOL.0665:108-9, Collector: Colm Mach Uidhir, Killeen, Co.Louth, School: Louth (B.), Location: Louth, Co. Louth, Teacher: P. Randles.

NFSC, VOL.0770:451, Informant: Mrs.Mulryan, Lisnagrish, Co.Longford, School: Clochar na Trócaire, Meathais Truim, Edgeworthstown, Co. Longfors, Teacher: An tSiúr Bernard.

NFSC, VOL.0773:125-6, Informant: Mr Perkins, cellbridge, School: Kildraught (2), Location: Celbridge, Co. Kildare, Teacher: E. Ní Armhultaigh.

NFSC, VOL.0787:280, Collector: Sean Gormley, Garristown, Co. Dublin, Informant: unnamed grandparent (75), Garristown, Co. Dublin.

NFSC, VOL.0787:334, Collector Janie Delany, Bettyville, Co. Dublin, Informant: Peter Gilsenan, Broomfield, Co. Dublin, Teacher: P.J Connolly.

NFSC, VOL.0800:155, School: Clonbullogue, Location: Clonbulloge, Co. Offaly, Teacher: A. Fitzgerald.

NFSC, VOL.0823:480, School: Mountmellick 9B.), Mountmellick, Co. Laois, Teacher: Dll. Binéad.

NFSC, VOL.0824:128, Collector: Joseph Deffeu, múinteoir, Castlecuffe, Mountmellick, Co. laois.

NFSC, VOL.109:57, collector: Katie Caulfield, Tulrohaun, Co. Mayo, Informant Mrs Delany, School: Tulach Ruacháin, Co. Mayo, Teacher: Mary Agnes Smyth.

NFSC, VOL.1116:234, Collector: Andrew Taylor, Drung, Co. Donegal, Informant:  Mrs Taylor (56), Drung, Co. Donegal.

NFSC, VOL>0922:139, Collector: John Dolan, School: Ballyrahan, Location: Ballyraheen, Co. Wiclow, Teacher: Máiréad Ní Mheachair.

NFSC:1076:20, Collector: Andrew Wilkinson, Creeslough, Co. Donegal, Informant: Frances Gallagher, Masiness, Co.Donegal, School: Creeslough, Co. Donegal, Teacher: U. Ní Pháirceme.

Tatli. I, Akdemir. Z (2006), Traditional Uses and Biological Activities of Verbascum Species, FABAD Journal of Pharmaceutical Sciences; Ankara Vol. 31, Iss. 2.

Thomas. K (2003), Religion and the Decline of Magic: Studies in Popular Beliefs in Sixteenth and Seventeenth-Century England, Penguin, UK