The Fairy Bush

Hawthorn tree. Wikimedia Commons/Robin Somes

For today’s sojourn in the world of Irish folklore I would like to cover what are generally termed “fairy bushes”. These can also be known by a number of different names and you may also encounter them named as noble bush, gentle bush or gentry bush. The favoured name was often lone or lonely bush due to fact of their solitary growth and are often found left unmolested in the middle of cultivated farmland and treated with reverence and respect, regardless of how much of an inconvenience it is to the farmer.

They are also referred to by the Irish name for a thorn, Sceach or anglicised versions such as skeag,skeog, skea, skeagh or skagh. It was only well into the 20th century when some people no longer started to fear calling them by the name “Fairy Bush”, similar to the fear of calling the fairies themselves by name (they were always referred to as names such as “The other crowd”, “Na daoine usaile“, “Na daoine maithe”  or simply the Sídhe, among many others). Most often they are hawthorn but can sometimes be blackthorn, rowan, hollies or gnarled oaks can be associated with the supernatural.

Whitethorn (hawthorn) was considered a sacred tree. When it grows alone near the banks of stream, or on forts, it is considered  to be the haunt and peculiar abode of the fairies, and as such is not to be disturbed without risk, sooner or later, of personal danger to the person so offending,William Gregory Wood-Martin, Traces of the Elder Faiths in Ireland (1902).

They are often thought to be somewhat different in appearance to their more ordinary counterparts. The variation depends on where you are in the country: they may have more thorns than normal or no thorns at all, they may never blossom, may continue to grow after being uprooted or may be discernible due to their unusual formation (more gnarled or with elongated trunks, exposed roots etc).

Similar to the monuments known as ringforts ( alternatively named rath or lios,) these bushes are said to be the otherworldly abode of the other crowd. It is not uncommon to to find them growing on these ringforts. There are a number of references in early Irish sources to Bile rátha (Sacred tree of the fort) and these were possibly a common feature of these forts/ enclosed dwelling places. The bushes were also considered to be an assembly point or points were opposing factions of the sídhe would meet to fight. There have even been accounts of a strange green or white substance being found around these particular bushes, believed to be blood from these quarrelling fairies. One of the most famous of these being the latoon bush in County Clare. This made the news in 1999 when it was set to be destroyed when a new motorway was being built through the area. The bush is said to be a marker in a fairy path and was the rendezvous point for Kerry fairies on their way to do battle with the Connacht fairies. The respected folklorist, storyteller and fairy expert Eddie Lenihan made the news by sending dire warnings that misfortune would follow not only the people who would cut it down but that it would also pose a danger to any motorists driving over the spot. In the end effort was made to build around the sacred tree, thus preserving one more vital piece of our sacred landscape.

The fairies have a strong bond with their trees and there have been instances where they have been heard mourning, crying and wailing when their trees have been cut down. They have also been witnessed pulling cut branches out of carts or fires. Trees marked for destruction have been known to disappear over night. Strange animal sightings near the bushes are not uncommon either. Twigs or fallen branches are often left untouched where they have fallen out of fear and respect. Misfortune often befell anyone who attempted to cut down the trees and number of accounts of this nature are to be found on the National Folklore Schools Collection. Some excerpts from these can be read below:

“It is said that a man named John Judge cut a fairy bush in Coolnaha and that all the hair fell off his head.It is said that if anyone cut a fairy bush, they would loose the hand which they would cut it with” (NFSC, Vol.0112:356).

“A man named Thomas Moorhead of Killakena went to cut a lone-bush or a fairy-bush, and with the first blow which he gave it with the axe, his nose began to bleed, and he got a pain in his head, and was confined to bed for three weeks afterwards”. (NFSC,Vol.0956:207).

“There is a fairy bush out on our hill and it is said that if you would dare break a leaf of it that something bad would happen you.

“In olden times it is said that (in olden times) a lot of fairies lived in under this bush and since that it got the name ,The Fairy Bush” (NFSC,Vol.1038:37).

People who transgress this taboo of interfering with these bushes may be met with a number of repercussions. The retaliation from the other crowd can range from thorns being left in your bed, waking up paralysed ,cuts becoming septic and requiring amputation, blinding being driven mad (many stories end with the transgressors ending up in a mental asylum) or even death.  People are very careful when cutting down bushes to make sure they are not inhabited. A stone is often placed under or near the bush and if it is gone come morning, the bush is left alone as it thought to be inhabited by the good folk or is believed to be on a fairy path.. Music, strange noises or lights coming from them are often recorded from them also. For anyone who wishes to delve deeper into the lore of fairy trees, the good news is there is no shortage of material for you to read up on. There are many folktales focusing on the subject and I would also recommend reading The Sacred Trees of Ireland by Christine Zucchelli and probably the best book out there on fairy encounters, Meeting the other crowd by Eddie lenihan or you can check out the National Folklore Schools Collection entries on the subject here.

 

Bibliography

The Sacred Trees of Ireland by Christine Zucchelli.

Meeting the other crowd by Eddie lenihan.

NFSC, Vol.0112:356

NFSC,Vol.0956:207

NFSC,Vol.1038:37

William Gregory Wood-Martin, Traces of the Elder Faiths in Ireland (1902)

Saint Declan’s Pattern Day

 

wellrounds2The 24th of July sees the feast day of Saint Declan of Ardmore, Co.Waterford. Declan was a pre-patrician saint, preaching the new religion and converting the pagan populace of Ardmore long before Saint Patrick ever set foot in Ireland. He was said to have set up his church around the spot where the 12th century “cathedral” and round tower now stand. Declan was a prince of the Deise tribe and had returned from Rome to convert people to the new religion. His supposed burial site, known as the oratory, stands nearby. A short walk from this site lies his holy well and the ruins of another church. It is here in a slightly more secluded spot, perched on a cliff, that Declan was said to have come to avoid the large crowds that were coming to his original church (this is a common motif when reading about saints. They often seek further seclusion or become hermits). His feast day was a very popular pilgrimage for centuries with thousands of people descending on the quaint seaside village to do the “rounds” of the pattern.  The earliest accounts date to the 1600’s Like many patterns, the religious aspect was not the only thing to be found here. The beach was lined with tents with musicians and people selling drink. Heavy alcohol consumption was the norm after completing the rounds, a thing that left many of the 18th and 19th century observers (most of whom were protestant) aghast with what they were witnessing. Faction fighting was also a common feature at these pattern days, which had an equal effect on these observers. This sort of faction fighting was most common in areas such as mountain passes or areas where two townlands met. Here the factions from each district would ritualistically fight in an attempt to gain the luck of the saint for the year and carry it home with them. Despite being ritualistic in nature, injury often occurred. Below I will show the sites involved in the pattern and supplement it with some of the 19th century accounts. The pattern was revived in the last couple of decades and still draws thousands each year. Many of these patterns had died out due to church interference because the clergy were against the heavy drinking, debauchery, faction fighting and the holy well veneration (that was essentially a vestige of pagan practice).

 

The Oratory

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Photo copyright Shane Broderick

This building is traditionally believed to have been the burial spot of the saint. If you peer in the window you can see a large hollow in the ground(see photo below). Out of this the clay was taken and used for all manner of cures. Due to its contact with the spot where the said was buried it was believed to have gained miraculous powers and was often ingested to provide a cure. It formed and important part of the”rounds” and was commented on in the old accounts. An old woman distributed or sold the clay to the pilgrims when they entered the oratory. The following account dates from 1841:

“22nd July, Arrived this evening at Ardmore, preparations already making for the due celebration of the Patron’s day; visited the dormitory of St. Declan; an old meagre figure had possession of the grave, in which she ate, drank, and slept, that none other might claim a right to it; one half of her only appeared above ground; the last supply of earth for the approaching demand, had just been put in; she recommended us strongly to take a portion in the name of God and the blessed Saint (on pronouncing the latter name she with due reverence dropped a low curtsey) as a preventive against fire, drowning, etc. etc, if eaten with due faith.

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Photo copyright Shane Broderick

Of the clays efficacy against fire we read more later. The writer tells us :

9 o’clock – fire nearly subdued for want of fuel; here comes the old jezebel from the grave, covered with earth, half naked, and yellow as the clay of which she bears a portion, and is strewing in places the fire cannot reach, to show its virtue in destroying that devouring element.

 

The Round Tower and Cathedral

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Photo copyright Shane Broderick

Although neither of these dates to the time of the saint they both feature strongly as part of the rounds/pattern. The round tower remains one of the finest and most complete examples of these characteristic towers that dot the Irish landscape. These conical towers, called Cloig Theach (bell towers) in the native tongue, are often mistakenly assumed to be of a defensive nature due to their doors being placed meters off the floor. This in fact is a structural feature as most of these towers were build without any real foundations to speak of. It is a testament to the builders of these awe inspiring monuments that many of these still stand when the buildings around them  has long since crumbled. They often stand as status symbols in the most important ecclesiastical sites around the country. They served not only as landmarks but experimental archaeology has shown that ringing a hand bell from the top floor can be heard for miles around. In relation to the pattern observances of the feast day we are told the following:

“A few yards brought us to the far-famed round tower, the most perfect in Ireland; here again the devout pilgrims repeated prayers and told their beads, and knelt with the utmost humility, kissed the tower, broke off pieces which they carried away; then the whole crowd filed off to the chapel, which was open to receive them, and mass was celebrated in all due form; here the devotions of the day ended”.

The church, called the Cathedral despite its minuscule size, dates to around the 12th century and incorporates an array of design features such as the Romanesque arcading seen in the picture above featuring biblical scenes such as Adam and Eve and the judging of Solomon. Further Romaneque features can be found inside along with a pointed chancel arch. If you look close enough, crosses can be seen carved into the walls near the doorway that you enter through. Two Ogham stones can also be found within the church.

 

The Holy Well

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Photo copyright Shane Broderick

The holy well comprises one of the main elements of the Pattern, as it quite often does at these kind of observances. I will cover the phenomenon of holy wells in a future article as these are a fascinating belief system that stems from an age old water cult with fascinating ties to pagan practice and belief. These fall well outside the standard doctrine and although associated with christian saints, were never officially sanctioned by the church.During the 19th Century attempts were made by the diocesan clergy to suppress pilgrimages/patterns with little effect. Pilgrimages did in fact decline but this was mostly due to the Famine and social change.

For those unfamiliar with holy wells, either drinking or topically applying the water can elicit cures. Quite often this cure can be for a specific body part such as for curing eye problems etc. There are some pretty graphic accounts of people dipping limbs affected by all manner of ailment into the water and then others drinking from it ( A fact I can even attest to seeing in the past 20 years).  This particular well is especially effective in the treatment of eye problems but can be used for a multitude of symptoms. Similar to the account above of the old woman above distributing clay, It was not uncommon for women to distribute/ sell the water at these wells, as in the photo below of Declan’s well from the early 20th century (circa 1910).Saint_Declans_Well__Ardmore

Lord Walter Fitzgerald writing in the Journal of the Royal society of Antiquaries in 1856 had the following to say:

“The most celebrated well in this province for ‘rounds’ and miraculous cures. Its powers of healing are still frequently put to the test with all sorts of sprains and mutilations of the human body, especially on the patron day, which is held on the 24th July. There are also said to be three holy wells on the strand at Ardmore, which were formed by a miracle of St Declan, but these cannot be seen except at extreme low tides, and at low water mark; they are noted for curing inward complaints in those who are fortunate to glimpse of them at the propitious moment. At each of the wells mentioned here, except those on the strand, the visitor will find numerous coloured objects tied to the trees and briars in the neighbourhood.”

Further accounts can be found in Mr & Mrs halls writings from 1841 (as used previously above):

“On the brink stand the remnants of a chapel, said to be the first built in Ireland. On entering the gateway, on your right hand, is the well St. Declan blessed: a narrow doorway leads to it, a formidable figure had possession of it, and dealt out in pint mugs to those who paid; some drank it, some poured it on their limbs, their head, their backs, in the most devout manner, some claimed a second portion to bottle and carry home to sick relatives, or to preserve their house from fire; they then knelt down to the well, and said their prayers”

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Photo copyright Shane Broderick

Above Is the stone visible in the old photo used at the beginning of the article. It lies at the gable end of the church ruin and as part of the rounds the crosses are carved into the stone as prayers are said (it is not unusual at other pilgrimages for the dust created from carving those crosses to be collected, added to water and consumed in the believe that it could also provide cures. Below are the ruins of the church near this stone and the well. Perched on the precipice of the cliff it offers stunning views of the bay below (The name Ardmore comes from the Irish Aird Mhór meaning “Great height”).

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Photo copyright Shane Broderick

 

Saint Declans Stone

The last item I would like to mention is the boulder known locally as “Saint Declan’s Stone”. This stone forms an important part of the rounds and is believed to be efficacious in treating back pain and rheumatism by stooping down and crawling beneath it through the narrow aperture seen above. It was also circled a number of times on the knees while praying. The story of the stone is as follows: When the saint was returning from wales, he realised he had left his bell behind on a rock on the foreshore. He prayed to God and the stone started to float after him with the bell on top of it. Recognising the miracle he allowed the boulder to lead the way and decided that wherever it was to land he would set up his church. This of course landed on the beach of Ardmore where it still remains today, only accessible at low tide. The boulder is appears to be a glacial erratic as it is the only stone of its kind on the beach. This stone also features in the accounts from the 18th century:

“there the first scene began, and I counted 154 persons kneeling round the stone, fresh comers every moment succeeding those who had told their beads and said their prayers. I watched their motions as they approached the stone; they took off their hats, then lowly bowed their heads, and dropped their knees on the pointed rocks; here they repeated several prayers, telling over their beads; then solemnly drew near and reverentially kissed the informed (???) mass several times, then bumped their backs against it three times, drew back in awe, dropped again on their knees, repeating more prayers and silently retired, children in arms were pressed down till their little mouths touched the holy stone”.

That brings to a close this brief foray into the sites attributed to Saint Declan and his pattern day. Thank you for taking the time to read it and I hope you enjoyed it. If you enjoyed my photographs feel free to follow my Photography page on facebook (click here) and also my Folklore page (here). For the 19th century accounts above I used:

Mr. & Mrs. S.H. Hall. 1841. Ireland: Its Scenery, Character & C. London: How & Parsons (pp. 284-85)

The Multifaceted Nature of Pattern Day Celebration: The Sacred and the Profane

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Spilsbury Taylor, Pattern at Glendalough (c 1816)

Saint’s feast days are still celebrated around the country in the form of pattern days. These revived religious festivals still draw high numbers of people such as the patterns at Gougane Barra, Ardmore, Ballyvourney and of course, one of the most well-known, Croagh Patrick. When we look at them now we see strictly serious, sombre, sacred affairs but if we cast our minds back to the 18th and 19th centuries we see a different story arising from the historical accounts. Here we see a very odd mixture of the sacred and the profane side by side. We see heavy drinking, dancing, music, trading and even faction fighting. To the uninitiated observers, to whom we owe most of the accounts, this behaviour was appalling, barbaric and savage and this is reflected in the language they use throughout their documentation of the events. Being reserved Protestant gentlemen, the multifaceted aspect made a lasting impression. In this essay, I will be looking at this eclectic mix of the sacred and the profane and how it was perceived by these outsiders. While even today viewing these narratives through a modern lens, many of the events carried out may seem alien. We should at least appreciate the fact that this was occurring at a liminal time. As a result of this liminality, a kind of anti-structure can be found. Turner explains this in terms of the people involved being “neither here nor there, betwixt and between the positions assigned and arrayed by law, custom and convention” (Turner,1995:95). Bakhtin coined the term “the two lives of man” to describe the difference between this liminal time and carnival-esque atmosphere where “a special form of free and familiar contact reigned among people who were usually divided by the barriers of caste, property, profession, and age” (Bakhtin, 1984: 10) , and everyday life.

As I mentioned above, we see the massive impression that the events the authors witnessed made on them through their choice of language throughout the accounts. Many share the impression that the rituals were uncivilised and backwards. William Makepeace Thackeray referred to them as “dismal and half savage” (Thackeray,1842:208), a thought backed up by Mr & Mrs Hall when they said that “The most ignorant and savage tribes of Africa have few ceremonies more utterly revolting” (Hall,1841:282) than the Irish peasantry. We see numerous attempts to make the belief system of the Irish seem backward which by proxy essentially attempts to elevate not only the morality but also the civility of the observer. Máire MacNeill refers to them as the accounts of “hostile and supercilious observers” who were shocked at the mixture of the “piety and boisterousness” of the peasantry (MacNeill, 1982:83). Philip Dixon Hardy mentions that the “superstitious and degrading practices” of the common people are “A disgrace to the time and country we live in” (Hardy, 1840: iii).

 

Gougane Barra

Photo courtesy of NicholasH on wikimedia commons

Gougane Barra is the supposed site of the hermitage of St. Finbarr and was the site of pilgrimage for centuries. The pattern there was recently revived, albeit without many of the more profane activities for which we have accounts. Thomas Crofton Croker gives us a fine example of the mix of sacred and profane goings on at this pattern in his book Researches In The South Of Ireland. He is clearly shocked by how “drunken men and the most depraved women” are side by side with the pious pilgrims and how an “uproar of prayers and oaths, of sanctity and blasphemy” (Croker,1981:280) could be heard simultaneously. In most of the other accounts, the observers tend to draw a line between the sacred aspect taking place during the day and gradually giving way to revelry as the night progresses. In Croker’s account, he places them side by side and shows no end to the religious aspect, which continues through the night alongside the secular activities. Here he tells us that both the holy well and chapel are still crowded at midnight while the dancing, drinking and fighting were happening (Croker,1981:281). He likens the tents set up to a gypsy camp, an interesting choice of language no doubt to point out its wild, secular nature. He also tells us how “intoxication  becomes almost universal” at these tents and goes to great effort to point out the hedonistic nature of these encampments where people are singing “rebellious songs” and have pipers in every tent. We can see clearly that he doesn’t agree with dancing being compatible with a religious event and claims it is an “amusement of which the lower orders of Irish are immoderately attached” (Croker,1981:280). The most profane aspect he mentions in his writing is the lighting of bonfires on the hillside in the evening which he says has nothing to do with the pattern or the saint but instead harkens back to a bygone era with origins in pagan sun worship (Croker,1981:281). In terms of how shocking many of the supposedly sacred practices were to the uninitiated observers, one can only imagine how striking it was to witness the hillside littered with fires reflecting on the lake below.

While on the subject of sacredness we will turn our minds to the sacred aspects of the pattern as recorded by Crofton Croker. Here he gives us detailed accounts of the religious side of pattern similar to the much more sombre side that we see today at these pilgrimages, albeit with much more rigorous observances. The extreme nature of the rounds are a common feature throughout multiple accounts with many obscure practices being recorded. In relation to Gougane Barra the most obscure ritual the author provides to us is the placing of a rusty iron object by the devotees on the head of the person next to them three times while reciting a prayer. Beyond providing a sketch of the item and telling us that it was of “considerable importance” and that it was passed around with “much ceremony”, we are told no more about this object (croker,1981:278).  We do however get the impression that this was a very sacred object and a crucial ritual in relation to the pattern. When speaking of the sacred aspect of pilgrimages, or indeed of pattern days, one cannot fail to mention the importance of the holy well. In terms of pattern rounds it is oft a central, if not the most important aspect of the observance. Of the sacred waters at the well in this instance, we are given a very graphic account of how people with “the most disgusting sores and shocking infirmaties” (Croker,1981:279) washed themselves and thrust their arms or legs into the water to obtain a cure. He also tells us of how people eagerly drank this “polluted water” in hopes of receiving a blessing. Rigorous prayer is another common feature of pattern accounts. In regard to praying Croker tells us that an “immense concourse” of people were involved in a number of different acts of devotion. Many prayed on their knees with their arms uplifted with “considerable gesticulation” (Croker,1981:278). Just as in modern patterns, a certain number of prayers had to be said at each ‘station’ as part of the ritual. Here Croker tells us how people kept track of these prayers. Some “counted their beads with much apparent fervour” or used small pebbles as a substitute. He also notes how men notched their cudgel or a piece of stick (Croker,1981:278). Here with the mention of the cudgel we most likely see an intersection of the sacred and the profane. Men first mark the number of prayers on the cudgel that they possibly use as part of the faction fighting that was often found at pattern days. I will speak more on faction fighting later but first I will move on to another popular pattern, Croagh Patrick, and to the accounts of it given by different observers.

Croagh Patrick

Photo courtesy of Mark Waters

When one thinks of pilgrimage in Ireland, Croagh Patrick is probably the first thing that comes to mind. Multitudes of people still flock here on ‘Reek Sunday’, that is the last Sunday in July, to climb the mountain as a form of penance. The climb and pattern now take centre stage but in the past we see a much more varied event featuring both the sacred and the profane. Christian pilgrims have come here for centuries, the earliest recorded pilgrimage being recorded in 1113 ( Corlett,1997:9) but veneration of the mountain seems to even predate Christianity and is mentioned by Máire MacNeill as being a possible site in the celebration of the festival of Lughnasa (MacNeill,1982:83), a factor which may have influenced the more profane aspects of the pilgrimage here. Her evidence for this lies in the fact of the date of the pilgrimage and also the fact that it is only one of many mountains climbed on the last Sunday in July. In the case of Croagh Patrick I will be looking at the accounts of two writers and their opinions on the pattern observances.

In relation to the account by W.M Thackeray, he is even appalled by the sacred aspect. He likens the priest who reside over the proceedings to “worshippers of Moloch or Baal” due to them allowing people to perform what he terms “disgusting penances” (Thackeray,2005:207). He gives details of what the stations involve (i.e. the number of prayers to be said at each station, usually a prescribed number of Aves, Paters and Credos along with a ritual such as kissing a cross etc.) and tells of how the people were “suffering severe pain, wounded and bleeding in the knees and feet”. He can’t fathom how a God would want people to do this to themselves or how his representatives, i.e. the priests, would allow this to happen or encourage it (Thackeray,2005:208). As one could imagine with how shocked and disgusted he was with the religious aspect, he was just as descriptive and appalled by the more secular activities, what he describes as the “pleasures of the poor people”. Unlike Crocker he does not mention that the religious and profane are happening side by side. He also tells us of all the tents set up on the foot of the mountain and the revelry attached to them. Here he tells us how when the praying is done up the mountain then the “dancing and love making” commenced at the foot of the mountain. A scene he describes as “dismal and half savage” as he had ever seen (Thackeray,2005:208). The carnivalesque atmosphere he describes at the foot of the mountain is more akin to a fair than a religious affair with people shouting and screaming to sell their wares and crowded, smoky tents filled with people. A stark contrast to the goings on up the mountain where people were “dragging their bleeding knees from altar to altar, flinging stones and muttering endless litanies” (Thackeray,2005:209).

We also get an account of the Croagh Patrick Pattern from Philip Dixon Hardy in his book “Holy Wells of Ireland”. Like Thackeray, he takes a very hard-line approach in his opposition to the behaviour of people at the gatherings. He refers to them as being the sources of “much of the irreligion, immorality and vice” that proliferate the country (Hardy,1840:iii) and to him are the antithesis to proper Christian teachings and morals, especially considering that they are presided over by priests. He gives us a similar account to Thackeray in relation to the praying on bare knees but gives us a few more unusual rituals involved in the pattern. Interesting that these rituals fall well outside the Christian parameters. He tells us of how people throw bait into the well in an attempt to see fish in the well, for luck (Hardy,1840:59). This of course brings to mind the native, non-Christian tradition of the Tobar Segais (well of knowledge) and the Eo fios (fish/salmon of knowledge), so to see the level of syncretism of native and Christian tradition must have made quite the impression on the observer. He also records that people leave offerings of cloth, among other things, tied to a tree (clootie tree/ rag bush) as well as the practice of leaving offerings of butter to the saint in the bog (Hardy,1840:60). Similar again to Thackeray he makes special note of the pipers, fiddlers and excessive drinking when referring to the profane facet of the pattern. We are told of “how all manner of debaucheries are counted and young people are corrupted” (Hardy,1840:60). He also includes an account from the work of Rev. James Page, entitled “Ireland: Its Evils Traced Back to Their Source”. Here we are told how people “jumped around like mad folks to the sound of the instruments” and people were “rolling around drunk and cursing as if there was no God” (Hardy,1840:62). This observer also mentions witnessing a practice that one would not think to find at a religious event, divination. He tells us of how women are in the corner reading tea leaves “deciding on the destiny of their daughters at home”. In fact, he is so shocked by it that he believes it to be “fostered by the father of lies himself” (Hardy,1840:62).

Faction fighting

Faction fighting was a common occurrence at pattern days, especially in contested areas, i.e. bordering parishes. Máire MacNeill argues that this was not just a fight for the sake of fighting but instead served a ritualistic/symbolic function. She postulates that the combat could be a re-enactment of the fairy battles of the otherworld on the mortal plane (MacNeill,1982:408) or especially in the case of pattern days, gaining the favour of the local saint, the ‘Deus Loci’ so to speak. This was in aid of bringing the ‘luck’ back to the winners’ parish. These events did not escape the notice of the outside observers and provide us with a good example of the profane manifesting among the sacred activities. It was noted that “bloody knees from devotion and bloody heads from fighting were not uncommon (Croker, in Hall & Hall,1841:284). Hardy tells us how “parties come to fight and quarrel” (Hardy,1840:57) at Croagh Patrick while Croker, when referring to the pattern at Ardmore, tells us how “a scene of rioting and quarrelling” periodically ensued (Croker,in Hall & Hall,1841:284). He seems to believe that fighting is endemic to the Irish peasantry as he says “without which Paddy cannot live long in good humour” (Croker, in Hall & Hall,1841:284). Of course if we look at it from the view of MacNeill’s argument of it being symbolic fighting it makes a lot more sense than it would have to eyes of the uninitiated observers to whom we owe these accounts.

some Irish fighting sticks /shillelagh

The above accounts are by no means an exhaustive collection of that which has been written by what we have termed “uninitiated observers” but for the sake of brevity I chose to focus mostly on the accounts from Gougane Barra and Croagh Patrick as both contained good examples of the eclectic mix of sacred and profane activities found at the pattern days of yore. Looking at these events through a modern lens, despite how strange some still appear, we can at least appreciate through the work of people such as Turner, Van Gennep , Bakhtin and MacNeill that the pattern was a liminal time (If fact the term liminal was coined by Van Gennep in his work “rites of passage”. This was later expanded on by Turner). This time out of time allowed people to act outside of the norm. This allowed people to give up their worldly cares during this time of ambiguity, a time where anti-structure reigned and all were equal. Looking at it in this way helps us understand it in a better light, unlike how shocking it appeared to the ‘outsiders’ who recorded these events. It is also interesting to see the syncretic nature of the Irish belief system, the melding of non-Christian tradition with Christian beliefs and how it survived for so long. Despite the colourful descriptions and use of derogatory language in an attempt to make the Irish look like savages, we can at least appreciate the very vivid accounts passed down to us of the pattern days of the past.

 

Bibliography

Bakhtin, M (1968), Rabelais and His World, M.I.T press, Cambridge, pp.101845885384

Corlett, C (1997), Prehistoric Pilgrimage to Croagh Patrick, Archaeology Ireland, Vol.11, No.2, Wordwell Ltd, pp.9

Croker, T.C (1981), Researches in the South of Ireland, Irish Academic Press, pp.278-281

Hall, S.C (1841), Ireland: Its Scenery,Character etc, How and parsons, London, pp.282-284

Hardy, P.D (1840), The Holy Wells of Ireland, Hardy and Walker, Dublin, pp.59-63

MacNeill, M (1982), The Festival of Lughnasa, Comhairle Bhéaloideas Éireann, University College Dublin, PP.88-408

Thackeray, W,M (2005), Sketchbook of Ireland in 1842, Nonsuch Publishing, pp.207-209

Turner, V (1995), The Ritual Process: Structure and Anti-Structure (Foundations of Human Behavior). Reprint Edition. Aldine Transaction, pp.95